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Mystic Crucifixion is a c. 1500 oil on canvas and egg tempera painting by the Florentine Renaissance master Sandro Botticelli (c. 1445-1510) . Painted during the part of his career when he came under the influence of the Dominican friar Girolamo Savonarola (though after the cleric had already been burnt at the stake), the work has been seen as a statement upon the state of Florence itself.
Mystic Crucifixion: c. 1500: Tempera and oil on canvas (transferred from panel) 72.39 × 51.44 cm: Cambridge, Fogg Art Museum: Christ Crowned with Thorns: c. 1500:
Typical of the mystic crucifixes is the body of Christ hanging on a Y-shaped tree fork with his head falling low over his chest, his mouth contorted with pain and his eyes full of tears. His narrow, sinewy arms stretch more upward than sideways, his thin body is strongly bent and deeply sunken below the breastbone, with prominently protruding ...
St. John of the Cross OCD (Spanish: Juan de la Cruz; Latin: Ioannes a Cruce; born Juan de Yepes y Álvarez; 24 June 1542 – 14 December 1591) was a Spanish Roman Catholic priest, Christian mystic, and Carmelite friar of Converso ancestry. [2]
The Mystical Nativity is a painting in oil on canvas executed c. 1500–1501 by the Italian Renaissance master Sandro Botticelli, in the National Gallery in London. [1] [2] It is his only signed work and has an unusual iconography for a painting of the Nativity.
God the Father turning the press and the Lamb of God at the chalice. Prayer book of 1515–1520. The image was first used c. 1108 as a typological prefiguration of the crucifixion of Jesus and appears as a paired subordinate image for a Crucifixion, in a painted ceiling in the "small monastery" ("Klein-Comburg", as opposed to the main one) at Comburg.
Crucifixion is a method of capital punishment in which the condemned is tied or nailed to a large wooden cross, beam or stake and left to hang until eventual death. [1] [2] It was used as a punishment by the Persians, Carthaginians, and Romans, [1] among others. Crucifixion has been used in some countries as recently as the 21st century. [3]
Christ on the Cross Adored by Two Donors is a c.1590 oil on canvas painting by El Greco, now in the Louvre, Paris. [1]Intended for a chapel in the Hieronymite monastery in Toledo, it was commissioned by one of the two figures shown beneath Jesus crucified, in the places usually occupied by the Virgin Mary and St John the Evangelist.