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The Eyemo is a non-reflex camera: viewing while filming is through an optical viewfinder incorporated into the camera lid. Some models take one lens only. In 1929 there was the first three-port Eyemo, while the "spider model" features a rotating three-lens turret and a "focusing viewfinder" on the side opposite the optical viewfinder.
The Filmo camera series started with the 1923 Filmo 70, beginning a series of models built on the same basic body that was to be continued for more than half a century. It was based on Bell & Howell's brilliantly designed 1917 prototype for a 17.5 mm camera intended for amateur use.
Neither camera sold in large numbers, but Victor followed in 1927 with a more successful camera modeled on the Bell & Howell Filmo. Victor offered many models of 16mm projectors, most with only minor variations, but prior to military contracts won during World War II , all were made and sold in very small numbers, from 20 units to usually no ...
As in its last additive system, the camera had only one lens but used a beam splitter that allowed red and green-filtered images to be photographed simultaneously on adjacent frames of a single strip of black-and-white 35 mm film, which ran through the camera at twice the normal rate. By skip-frame printing from the negative, two prints were ...
In 1934, Bell & Howell introduced their first amateur 8mm movie projector, in 1935 the Filmo Straight Eight camera, and in 1936 the Double-Run Filmo 8. The 1938 Kodak cassette holding 25 feet (7.6 m) of Double-Eight film was taken by the Filmo Auto-8 in 1940. [citation needed] The firm added microfilm products in 1946.
Movie cameras were available before World War II often using the 9.5 mm film format or 16 mm format. The use of movie cameras had an upsurge in popularity in the immediate post-war period giving rise to the creation of home movies. Compared to the pre-war models, these cameras were small, light, fairly sophisticated and affordable.
He is often credited with the invention of the pinhole camera. [3] [4] He also provided the first correct analysis of the camera obscura, [5] offering the first geometrical and quantitative descriptions of the phenomenon, [6] and was the first to utilize a screen in a dark room for image projection from a hole in the surface. [7]
Paul's 'Cinematograph Camera No. 1' of 1895 was the first camera to feature reverse-cranking, which allowed the same film footage to be exposed several times, thereby creating multiple exposures. This technique was first used in his 1901 film Scrooge, or, Marley's Ghost. Both filmmakers experimented with the speeds of the camera to generate new ...