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A khachkar (also spelled as khatchkar) or Armenian cross-stone [1] (Armenian: խաչքար, pronounced [χɑtʃʰˈkʰɑɾ], խաչ xačʿ "cross" + քար kʿar "stone") is a carved, memorial stele bearing a cross, and often with additional motifs such as rosettes, interlaces, and botanical motifs. [2]
An Armenian cross is a symbol that combines a cross with a floral postament or elements. The cross of Armenian Christianity is combined with the Christian cross , and this design was often used for high crosses ( khachkar ) – a free-standing cross made of stone and often richly decorated.
Armenian cross-stones art. Symbolism and craftsmanship of Khachkars: 2010 00434: A khachkar is a carved, memorial stele bearing a cross, and often with additional motifs such as rosettes, interlaces, and botanical motifs. Performance of the Armenian epic of 'Daredevils of Sassoun' or 'David of Sassoun' 2012 00743
Armenian cross-stones art and Symbolism and craftsmanship of Khachkars, listed to UNESCO intangible world heritage site. The following is a list of World Heritage Sites designed or constructed by Iranians, or designed and constructed in the style of Armenian architecture:
The Armenian eternity sign ( ֎ ֍ , Armenian: Հավերժության նշան, romanized: haverzhut’yan nshan) or Arevakhach (Արեւախաչ, "Sun Cross") is an ancient Armenian national symbol and a symbol of the national identity of the Armenian people. [1] It is one of the most common symbols in Armenian architecture, [2] [3] carved ...
Each culture possesses a certain original element which becomes a symbol of the entire national culture. In Armenia such symbol is “khachkar, the so-called cross-stones, the monuments of Armenia which are not found anywhere in the world. The word “khachkar” is formed by two Armenian roots: “khach” (cross) and "kar" (stone).
Work started on Armenian Estates more than two years ago, but the development has come into sharper focus this summer. Two imposing homes and a pool house stand on the 20-acre lot, which is marked ...
The earliest monuments in Artsakh relate to the pre-Christian era when polytheism was the most widespread form of religion. [14]The most curious art form from that time period is, perhaps, large anthropomorphic stone idols that are found in the eastern lowlands of the northern counties of Jraberd (Armenian: Ջրաբերդ) and Khachen (Armenian: Խաչեն).
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