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The center distributes jazz curriculums to high schools through its Essentially Ellington program. Professional musicians visit schools through the Let Freedom Swing program. The center runs a Middle School Jazz Academy, a High School Jazz Academy, and a Summer Academy, all in New York City, all of them with free tuition.
Dizzy Gillespie 1955 "Manteca" is one of the earliest foundational tunes of Afro-Cuban jazz.Co-written by Dizzy Gillespie, Chano Pozo and Gil Fuller in 1947, it is among the most famous of Gillespie's recordings (along with the earlier "A Night in Tunisia") and is "one of the most important records ever made in the United States", according to Gary Giddins of The Village Voice. [1] "
The new theme music made its debut on General Hospital's 30th anniversary show, which aired April 1, 1993, and remained as the show's title track until August 27, 2004. "Faces of the Heart" ended up as the third track on Koz's Lucky Man album. Dave and Wayman Tisdale performing at the Dave Koz & Friends Smooth Jazz Cruise 2006
Free jazz musicians make use of free improvisation to alter, extend, or break down jazz convention, often by discarding fixed chord changes, tempos, melodies, or phrases. Ornette Coleman was an early and noted advocate of this style. 1950s -> Gypsy jazz: A style of jazz music often said to have been started by guitarist Jean "Django" Reinhardt ...
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David William Sanborn (July 30, 1945 – May 12, 2024) was an American alto saxophonist.Sanborn worked in many musical genres; his solo recordings typically blended jazz with instrumental pop and R&B. [1]
Fourplay (stylized as fOURPLAY) is a contemporary American smooth jazz quartet. The original members of the group were Bob James (keyboards), Lee Ritenour (guitars), Nathan East (bass), and Harvey Mason (drums). [1] In 1997, Lee Ritenour left the group and Fourplay chose Larry Carlton as his replacement.
The Modern Jazz Quartet was formed out of the foursome's need for more freedom and complexity than Gillespie's big band, dance-intended sound allowed. [18] While Lewis wanted the MJQ to have more improvisational freedom, he also wanted to incorporate some classical elements and arrangements into his compositions. [14]