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When Tammany Hall proposed a new tax to support parochial Catholic schools, he was outraged. The American River Ganges, a cartoon by Thomas Nast showing bishops attacking public schools, with connivance of "Boss" Tweed. Harper's Weekly, September 30, 1871
Amphitheatrum Johnsonianum – Massacre of the Innocents at New Orleans, July 30, 1866 (generally known simply as Amphitheatrum Johnsonianum) is a political cartoon by the 19th-century American artist Thomas Nast that depicts U.S. president Andrew Johnson as Emperor Nero at an ancient Roman arena, "figuratively fiddling with the...
Thomas Nast Gallery, 1870 – January 1871, editorial cartoons about Boss Tweed and Tammany Hall; Proposed Historic District: Tammany Hall, archive of a proposal to list Tammany Hall among the historic districts of the United States; Tammany Hall Links Archived December 11, 2008, at the Wayback Machine at DavidPietrusza.com
"Stone Walls Do Not a Prison Make": Editorial cartoon by Thomas Nast predicting Tweed could not be kept behind bars (Harper's Weekly, January 6, 1872) [38] Tomb in Green-Wood Cemetery. Tweed was released on $1 million bail, and Tammany set to work to recover its position through the ballot box.
Thomas Nast's cartoons of the corruption in Tammany Hall contributed to the fall of Boss Tweed, and inspired Bengough to bring political cartooning to Canada. Bengough considered the politically and socially aware Nast a "beau ideal" whose "moral crusade against abject wrong"—in particular his relentless Boss Tweed cartoons—inspired the ...
1884 cartoon by Bernhard Gillam in Puck magazine which ... Thomas Nast, political cartoonist ... (2004) "Mugwump cartoonists, the papacy, and Tammany Hall in America ...
The spoils system survived much longer in many states, counties and municipalities, such as the Tammany Hall machine, which survived until the 1950s when New York City reformed its own civil service. Illinois modernized its bureaucracy in 1917 under Frank Lowden , but Chicago held on to patronage in city government until the city agreed to end ...
[6] Many of the figures have moneybag heads, and Otterness credits 19th century political cartoonist Thomas Nast's depiction of Boss Tweed and the corruption of Tammany Hall that was ongoing at the time of the subway's initial construction as his inspiration for these. [7] [8]