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The 1990 They Might Be Giants song "Road Movie to Berlin" references the films in its title. The TaleSpin episode "Road to Macadamia" pays tribute to the series, including spoofs on the songs. Three episodes of the 1991–1995 animated series Taz-Mania spoofed the Road to.. movies, starring Hugh Tasmanian Devil, Taz's father and a Crosby parody ...
Road to Rio is a 1947 American musical comedy film directed by Norman Z. McLeod and starring Bing Crosby, Bob Hope, and Dorothy Lamour. [4] Written by Edmund Beloin and Jack Rose, the film is about two inept vaudevillians who stow away on a Brazilian-bound ocean liner.
The script was based on an original story for the movies by Vera Caspary – a 70-page document. [3] The film was Bob Hope's first with MGM. He was persuaded to star in it by head of production Sol Siegel. [4] The film marked Lana Turner's first romantic comedy in a number of years. [5] George Marshall was originally signed to direct. [6]
The Facts of Life is a 1960 romantic comedy starring Bob Hope and Lucille Ball as married people who (almost) have an affair. Written, directed and produced by longtime Hope associates Melvin Frank and Norman Panama, the film is more serious than many other contemporary Hope vehicles.
Growing up in the iron-rich mining town of Hibbing, Minnesota, in the 1940s and '50s, Bob Dylan was not exposed to much non-conformity or social upheaval. Except, that is, at the movies.
Masquerade is a 1988 American romantic mystery thriller film directed by Bob Swaim and starring Rob Lowe, Meg Tilly, Kim Cattrall and Doug Savant.Written by Dick Wolf, the film is about a recently orphaned millionairess who falls in love with a young yacht racing captain who isn't completely truthful with her about his past. [9]
Newhart appeared on six episodes of The Big Bang Theory -- which brought him his first Emmy in 2013 for guest acting -- and his co-star, Kaley Cuoco, took to her Instagram Story to remember the ...
With Bob Hope's film career on the downswing by the '60s, Boy, Did I Get a Wrong Number! was critically panned and compared to a "90-minute TV sitcom". [6] The critic for The New York Times drew parallels with Up in Mabel's Room which Edward Small had made twenty years previously. [7] Reviews were poor. [8] However it performed well at the box ...