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The first Limoges trinket boxes were long narrow containers that were created for expensive needles. From here, other shapes of limoges porcelain boxes evolved. The earliest were those that held thimbles and embroidery scissors and then round flat Limoges boxes were formed and used as powder boxes, and/or snuff boxes.
Pocket boxes are usually made to hold a small amount of snuff for immediate consumption—typically a day or two's supply. [2] Since prolonged exposure to air causes snuff to dry out and compromises its quality, snuff boxes have tightly sealed lids to ensure that air does not penetrate the box, although wholly air-tight boxes are a rarity.
Jasperware vase and cover, Wedgwood, about 1790, in the classic colours of white on "Wedgwood Blue".The design incorporates sprig casts of the muses supplied by John Flaxman, Sr. [1] Victoria and Albert Museum, London
California potters large and small have left a legacy of tableware design, collectibles, art, and architecture. ... Pat and Covey Stewart covered box with lid ...
A casket [1] is a decorative box or container that is usually smaller than a chest and is typically decorated. In recent centuries they are often used as boxes for jewelry, but in earlier periods they were also used for keeping important documents and many other purposes. [2] Many ancient caskets are reliquaries, for both Buddhist and Christian ...
majolica n. 1. is earthenware decorated with coloured lead glazes applied directly to an unglazed body. Victorian majolica is the familiar mass-produced earthenware decorated with coloured lead glazes [6] made during the Victorian era (1837–1900) in Britain, Europe and the US, typically hard-wearing, surfaces frequently moulded in relief, vibrant translucent glazes, in a variety of styles ...
A selection of falangcai porcelains Bowl with peacock in falangcai painted enamels, Yongzheng reign. National Palace Museum. The origin of famille rose is not entirely clear. It is believed that this colour palette was introduced to the Imperial court in China by Jesuits, achieved through the use of purple of Cassius, initially on enamels used on metal wares such as cloisonné produced in the ...
Louis Abrahams, a member of the Box Hill artists' camp, sourced the lids from his cigar business, Sniders & Abrahams. In order to emphasise the small size of the paintings, the artists displayed them in broad kauri pine frames, many asymmetrical in design and left unornamented, others painted in metallic colours or decorated with verse and ...
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