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Download QR code; Print/export Download as PDF; Printable version; ... Ce qu'on entend sur la montagne, symphonic poem after Victor Hugo, (1846) Rédemption, ...
Shock Diamonds (tone poem) Siegfried Idyll; Silent Spring (composition) Son et lumière (composition) A Song of Islands; The Sorcerer's Apprentice (Dukas) Stenka Razin (Glazunov) A Summer's Tale (Suk) Symphonic Sketches
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While many symphonic poems may compare in size and scale to symphonic movements (or even reach the length of an entire symphony), they are unlike traditional classical symphonic movements, in that their music is intended to inspire listeners to imagine or consider scenes, images, specific ideas or moods, and not (necessarily) to focus on following traditional patterns of musical form such as ...
In the Steppes of Central Asia had been intended to be presented as one of several tableaux vivants to celebrate the silver anniversary of the reign of Emperor Alexander II of Russia, who had done much to expand the Russian Empire into the Caucasus, Far East and Central Asia.
Ce qu'on entend sur la montagne, S. 95, is the first of thirteen symphonic poems by Austro-Hungarian composer Franz Liszt. It is an orchestral work inspired by Victor Hugo's poem of the same name, published as No. 5 of his collection Les Feuilles d'automne (1831). The French title means "What one hears on the mountain".
Arnold Schoenberg, 1927, by Man Ray. Pelleas und Melisande, Op. 5, is a symphonic poem written by Arnold Schoenberg and completed in February 1903. It was premiered on 25 January 1905 at the Musikverein in Vienna under the composer's direction in a concert that also included the first performance of Alexander von Zemlinsky's Die Seejungfrau. [1]
The symphonic poems of the Hungarian composer Franz Liszt are a series of 13 orchestral works, numbered S.95–107. [1] The first 12 were composed between 1848 and 1858 (though some use material conceived earlier); the last, Von der Wiege bis zum Grabe ( From the Cradle to the Grave ), followed in 1882.