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Henry Ossawa Tanner, The Banjo Lesson, 1893, Hampton University Museum. Gift to museum by Robert C. Ogden. [1] The Banjo Lesson is an 1893 oil painting by African-American artist Henry Ossawa Tanner. It depicts two African-Americans in a humble domestic setting: an old black man is teaching a young boy – possibly his grandson – to play the ...
English: Photograph by Henry Ossawa Tanner used as a photo study for an early version of his painting, The Banjo Lesson.In the book Henry Ossawa Tanner: Modern Spirit edited by Anna O. Marley, the picture is identified as being in the collection of Jacques Tanner, Le Douhet, France.
In 2001, the artists Mendi and Keith Obadike listed Keith's "blackness" for sale on eBay under the "Black Americana" category as part of an art project, "Blackness for Sale." [42] [43] [44] The act was seen as a comment on the commodification of racial identity [45] and as a reference to slave auctions. [46] The auction was eventually shut down ...
The Art Loss Register is a commercial computerized international database which captures information about lost and stolen art, antiques and collectables. It is operated by a commercial company based in London. In the U.S., the FBI maintains the National Stolen Art File, "a database of stolen art and cultural property. Stolen objects are ...
The American Banjo Museum in Oklahoma City is dedicated to the history of the banjo. The museum's exhibits document the rise of the banjo from its arrival in North America via the Atlantic slave trade to modern times. [4] The museum was founded in 1988 in Guthrie, Oklahoma, by Jack Canine and moved to Oklahoma City in 2009. [2]
Samuel Swaim Stewart (January 8, 1855—April 6, 1898), also known as S. S. Stewart, was a musician, composer, publisher, and manufacturer of banjos. [3] He owned the S. S. Stewart Banjo Company, which was one of the largest banjo manufacturers in the 1890s, manufacturing tens-of-thousands of banjos annually. [4]
The Anguished Man. The Anguished Man is a painting created by an unknown artist. [1] [2] Owner Sean Robinson, from Cumbria, England, claims to have inherited the painting from his grandmother, who told him that the artist who created the painting had mixed his own blood into the paint and died by suicide soon after finishing the work.
In partnership with the Vega Banjo Company of Boston, Peabody developed a new type of plectrum banjo called the Vegavox, featuring a resonator that rose the full height of the banjo's body. (Traditional resonators are about half as high.) This increased the banjo's interior resonation space, giving it a distinctively mellow tone.
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