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The Assumption of the Virgin or Frari Assumption, popularly known as the Assunta, [1] is a large altarpiece panel painting in oils by the Italian Renaissance artist Titian, painted in 1515–1518. It remains in the position it was designed for, on the high altar of the Basilica di Santa Maria Gloriosa dei Frari or Frari church in Venice .
Assumption of the Virgin by Titian, 1515–1518; Assumption of the Virgin (Fra Bartolomeo) c. 1516; Panciatichi Assumption, Andrea del Sarto, c. 1522–23; Assumption of the Virgin (Moretto), Moretto da Brescia, 1524–25; Assumption Altarpiece by Moretto da Brescia, 1529–30; Assumption of the Virgin by Antonio da Correggio, 1526–1530
Simon Claude Mimouni and his predecessors have argued that belief in the Virgin's Assumption is the final dogmatic development, rather than the point of origin, of these traditions. [29] There is a large number of accounts of assumption of the Virgin Mary, published in various languages (including Greek, Latin, Coptic, Syriac, Ethiopic, Arabic).
The main altar holds a polyptych by Titian, portraying a version of the Assumption of the Virgin. [8] This painting probably dates from 1552; [3] the side altars hold paintings of Italian and Dalmatian masters of later centuries. [3] Triptych of "Assumption of Mary" above the altar by Titian (circa 1550)
Assumption of the Virgin, 1516–1518; it took Titian more than two years to complete this painting in the Frari church in Venice. In 1516, he completed his famous masterpiece, the Assumption of the Virgin, for the high altar of the Basilica di Santa Maria Gloriosa dei Frari, [5] where it is still in situ.
Assumption of the Virgin: c. 1516–1518: 690 × 360 cm: Basilica di Santa Maria Gloriosa dei Frari The Virgin and Child with Saint George and Saint Dorothy: c. 1516: 86 × 130 cm: Prado Museum (Madrid) Virgin and Child with Saint John the Baptist and an Unidentified Saint: c. 1515–1520: 62.7 x 93 cm
The composition of El Greco's depiction of the Assumption of the Virgin resembles Titian's Assumption in the Basilica dei Frari in Venice with Virgin Mary and angels above and the apostles below. [3] On the painting Virgin Mary floats upward which symbolizes her purity, while apostles gathered around her empty tomb express amazement and concern ...
The Presentation of the Virgin at the Temple is a 1534–1538 painting by Titian. It depicts the three year-old Virgin Mary entering the Temple of Jerusalem . [ 1 ] It was commissioned by the fraternity based in the Scuola Grande di Santa Maria della Carita, a building later incorporated into the Gallerie dell'Accademia , in Venice , where the ...