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The text has its origins in a hymn "Lo! He cometh, countless Trumpets" by John Cennick published in his Collection of Sacred Hymns of 1752. [1] This was substantially revised by Charles Wesley for publication in Hymns of intercession for all mankind of 1758. [2] [3] Some hymnals present a combination of the two texts. [2]
The controversy is alluded to in the hymn's fourth verse: "Though with a scornful wonder men see her sore oppressed, by schisms rent asunder, by heresies distressed." [1] The hymn is typically set to the tune "Aurelia" by Samuel Sebastian Wesley. [2]
The following lists contains all the hymns composed by Sankey that are found in the "1200" edition of Sacred Songs and Solos. Many of these hymns are also found in the six-volume collection, Gospel Hymns and Sacred Songs, which Sankey edited with Philip Bliss and others, which was published in the United States between 1876 and 1891. [1]
The New Century Hymnal is a comprehensive hymnal and worship book published in 1995 for the United Church of Christ.The hymnal contains a wide-variety of traditional Christian hymns and worship songs, many contemporary hymns and songs, and a substantial selection of "world music" selections (hymns and worship songs from non-European-American) origin, a full lectionary-based Psalter, service ...
Hymns for Living, General Assembly of Unitarian and Free Christian Churches (1985) Hymns of Faith and Freedom, Unitarian Christian Association (1991) Singing the Living Tradition, The Unitarian Universalist Association (1993) ISBN 1-55896-260-3. The YRUU Song Book, The Unitarian Universalist Association Youth Office (1997) [645]
[3] In 1835, the hymn was included in the first hymnbook introduced by the Church of Jesus Christ of Latter-day Saints. Although officially organized by the prophet Joseph Smith in 1830, his wife Emma Smith was charged early-on with collecting hymns for and establishing a hymnbook for the new church. The first hymnbook was published in 1835 in ...
The tune originally consisted of a 7.6.7.6.7.7.6 metre, but Monk removed the fifth phrase to create a more balanced tune. [8] Dix personally did not like the tune, which was ironic as it was later titled "Dix" as a tribute to him. [1] Despite Dix's opinion of it, the tune became popular and is used for the majority of performances of the hymn. [1]
The altar book editions of the Lutheran Book of Worship (1978), (green) and Evangelical Lutheran Worship (2006), (red). Evangelical Lutheran Worship (ELW) is the current primary liturgical and worship guidebook and hymnal for use in the Evangelical Lutheran Church in America (ELCA) and the Evangelical Lutheran Church in Canada (ELCIC).