Search results
Results from the WOW.Com Content Network
Kweku Flick introduced his debut single titled "Awake", followed by a subsequent track named "Money", propelling him to prominence both in Ghana and various global regions. [7] He has engaged in collaborations with fellow artists such as Sista Afia , Yaw Tog , Sarkodie , Amerado , Strongman , Black Sherif , Kofi Jamar and Kojo Cue .
"Kwaku the Traveller" is a song by Ghanaian drill musician Black Sherif. It was released on 31 March 2022, through Blacko, and Empire . "Kwaku the Traveller" was written by Black Sherif, and produced by Joker Nharnah. [ 1 ]
Mohammed Ismail Sherif Kwaku Frimpong [2] (born 9 January 2002), [3] professionally known as Black Sherif, formerly Blacko, [4] is a Ghanaian singer, rapper and fashion model. He initially gained popularity in 2021 with his song "First Sermon," which he released in May 2021.
The album was released in October 2022. A reviewer for Pulse Nigeria said Black Sherif's songs are like short stories, and "he employs a dark, honest and philosophical approach to his storytelling". [2]
Moses Kweku Oppong (2 October 1915 – 1986) was the founder of the band Kakaiku, which was created in 1954. [1] He and his band were important parts of the highlife music genre, and is connected to other important musician like C. K. Mann. Born in Aboso in the Western Region, he learned to play guitar as a child and started becoming a musician.
Kae Sun's second LP Afriyie was released in May 2013 and was co-produced by Kae Sun and production duo Science! (Joshua Sadlier-Brown and Marc Koecher). The record received favourable reviews from publications like exclaim and Afropunk.
It should only contain pages that are Jesus Culture albums or lists of Jesus Culture albums, as well as subcategories containing those things (themselves set categories). Topics about Jesus Culture albums in general should be placed in relevant topic categories .
The Thief Next to Jesus received little attention upon release, but was well-regarded by critics.Pitchfork writer Matthew Ritchie gave the album an 8.1/10, praising the use of gospel samples along with its themes of Christianity and its links to African Americans.