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One unique quality of Polynesian music (it has become almost a cliché) is the use of the sustained 6th chord in vocal music, though typically the 6th chord is not used in religious music. Traditional songs and hymns are referred to as imene metua (lit. hymn of the parent/ancestor). Traditional dance is the most prominent art form of the Cook ...
Performing groups include the Cook Islands National Arts Theatre, Arorangi Dance Troupe, Betela Dance Troupe, Akirata Folk Dance Troupe, and Te Ivi Maori Cultural Dance Troupe. [20] Raro Records is the main specialist in music retail on the islands. Cook Islands dancers at Auckland's Pasifika Festival.
Cook Islands musicians (4 P) Pages in category "Music of the Cook Islands" The following 7 pages are in this category, out of 7 total.
Music in the Cook Islands is varied, with Christian songs being quite popular, but traditional dancing and songs in Cook Islands Maori or Pukapukan remain popular. Confiscation and destruction of idol gods by European missionaries in Rarotonga, 1837 The Cook Islands Christian Church
Ura is one of the popular traditional dances of the Cook Islands, a Polynesian sacred ritual usually performed by a female who moves her body to tell a story, accompanied by intense drumming by at least five drummers.
Dance troupe performing in the Cook Islands. The tāmūrē, or tamouré as popularized in many 1960s recordings, is a dance from Tahiti and the Cook Islands.Usually danced as a group of boys and girls, all dressed in more (the Tahitian grass skirt, however not made of grass but of the fibers from the bark of the pūrau, "hibiscus").
[3] [4] As mentioned in Glenda Tuaine's Celebrate Cook Islands Tarekareka! article in Escape Magazine, like Crummer, Jon Jonassen and Jake Numanga, they are considered pioneers. [5] Sonny has also been an influence on Cook Islands musicians such as Mann Short and John Lindsay. [6] Guitarist for the group, Nat Mara, was a recording artist in his ...
This form of singing is common in French Polynesia and the Cook Islands, and is distinguished by a unique drop in pitch at the end of the phrases, which is a characteristic formed by several different voices; it is also accompanied by steady grunting of staccato, nonsensical syllables.