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Maria Josette Orsto's art practice was inspired by the Tiwi Island fabric designs. [3] Orsto worked in a variety of media and techniques including painting, batik-printmaking, and wood sculpture. [5] Her style initially reflected her father's bold painting style and then gradually became more subtle and subdued. [5]
Large shrine statue of Maitreya, Thiksey Monastery, Ladakh, 1970. The vast majority of surviving Tibetan art created before the mid-20th century is religious, with the main forms being thangka, paintings on cloth, mostly in a technique described as gouache or distemper, [1] Tibetan Buddhist wall paintings, and small statues in bronze, or large ones in clay, stucco or wood.
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Though specific designs are placed separately across the body, they are treated as a single piece of artwork. [4] Uli designs on walls, or uli aja, are more likely to include depictions of human and animal forms. [5] In addition, a distinctive series of stippled white dots (ntupo) are often used to separate different designs or sections of the ...
Tiwi Designs (Tiwi Designs Aboriginal Corporation) is an Aboriginal art centre located in Wurrumiyanga (formerly Nguiu) on Bathurst Island (one of the Tiwi Islands), north of Darwin, Australia. It holds a notable place in the history of the contemporary Aboriginal art movement as one of the longest running Aboriginal art centres, having started ...
C. Kodiya Raju (7 November 1898 – 27 July 1976) was a popular Calendar artist [1] [2] well known for his depictions of Hindu Gods and Goddesses in a typical style, amalgamating the features of contemporary calendar art and traditional South Indian paintings.
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