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Persephone (painting) Pietà (Bellini, Bergamo) Pietà (Bellini, Milan) Plague (painting) Portrait of the Dancer Anita Berber; Portrait of the Journalist Sylvia von Harden; Presentation at the Temple (Mantegna) Presentation at the Temple (Bellini)
A 1367 tempera on wood by Niccolò Semitecolo. Tempera painting has been found on early Egyptian sarcophagus decorations. Many of the Fayum mummy portraits use tempera, sometimes in combination with encaustic painting with melted wax, the alternative painting technique in the ancient world.
Ancient sources indicate that panel painting rather than wall painting (i.e., painting on wood or other mobile surfaces) was held in high regard, but very few ancient panel paintings survive. One of the few examples besides the mummy portraits is the Severan Tondo , also from Egypt (around 200), which, like the mummy portraits, is believed to ...
In Greece and Rome, wall painting was not considered high art. The most prestigious form of art besides sculpture was panel painting, i.e. tempera or encaustic painting on wooden panels. Unfortunately, since wood is a perishable material, only a very few examples of such paintings have survived, namely the Severan Tondo from circa 200 AD, a ...
The painting of the tondo on a wooden panel with tempera paints is consistent with that of Fayum mummy portraits style. [3] Another stylistic connection is the addition of jewelry and wreaths in the tondo. This was an important element that displayed cultural identity and religious practices in Fayum portraiture.
Rather than using the proven method of painting on walls, Leonardo painted The Last Supper in tempera, the medium generally used for panel painting. The painting is on a stone wall sealed with a double layer of gesso, pitch, and mastic. [12] Then he added an undercoat of white lead to enhance the brightness of the tempera that was applied on top.
Noah's Ark is a tempera painting by Theodore Poulakis. Poulakis was a Greek Baroque painter and teacher. He was a member of both the Late Cretan School and the Heptanese School. He is often regarded as the father of the Heptanese School. He was active from 1635 to 1692. By the age of 24, he was living in Venice.
The Ravanachhaya mural used a tempera method for painting, state Ramachandran and scholars based on chemical analysis of its fragments. [1] This process of making a chitra is one of the several discussed in early Indian texts on painting and the Sitabhanji site mural is one example.
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