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Each source listed below offers access to collections of digitized music documents (typically originating from printed or manuscript musical sources). They may contain scanned images, fully encoded scores, or encodings designed for music playback (e.g., via MIDI). Some (e.g., KernScores) are adapted for music analysis.
Roland GS, or just GS, sometimes expanded as General Standard [1] [2] or General Sound, [1] is a MIDI specification. It requires that all GS-compatible equipment must meet a certain set of features and it documents interpretations of some MIDI commands and bytes sequences, thus defining instrument tones, controllers for sound effects, etc.
MIDI and audio full DAW, simple user interface, flexible MIDI editing. MusE: Linux: GPL-2.0-or-later: Piano roll, event list: Open source midi and audio work station with support for VST, DSSI, LADSPA and LV2. MuseScore: Linux, macOS, Windows, iOS (partial) GPL-2.0-only: Werner Schweer Score: Music notation software with full MusicXML support ...
MIDI's introduction coincided with the dawn of the personal computer era and the introduction of samplers and digital synthesizers. [26] The creative possibilities brought about by MIDI technology are credited for helping revive the music industry in the 1980s. [27] MIDI introduced capabilities that transformed the way many musicians work.
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General MIDI logo from the MIDI Manufacturers Association. General MIDI (also known as GM or GM 1) is a standardized specification for electronic musical instruments that respond to MIDI messages. GM was developed by the American MIDI Manufacturers Association (MMA) and the Japan MIDI Standards Committee (JMSC) and first published in 1991. The ...
In pop and rock, the rhythm parts of a song are played by the rhythm section, which includes chord-playing instruments (e.g., electric guitar, acoustic guitar, piano, or other keyboard instruments), a bass instrument (typically electric bass or for some styles such as jazz and bluegrass, double bass) and a drum kit player.
The mélodie is often defined by comparison with the lied. Pierre Bernac provides this comparison in The Interpretation of French Song: . Debussy goes on to write that 'clarity of expression, precision and concentration of form are qualities peculiar to the French genius.'