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Ian McDonald (born 18 April 1933) is a Caribbean-born poet and writer who describes himself as "Antiguan by ancestry, Trinidadian by birth, Guyanese by adoption, and West Indian by conviction." His ancestry on his father's side is Antiguan and Kittitian , and Trinidadian on his mother's side.
Pages in category "Song recordings produced by Ian McDonald (musician)" The following 13 pages are in this category, out of 13 total. This list may not reflect recent changes .
Pages in category "Songs written by Ian McDonald (musician)" The following 10 pages are in this category, out of 10 total. This list may not reflect recent changes.
Ian Richard McDonald [1] (25 June 1946 – 9 February 2022) was an English musician, composer and multi-instrumentalist, best known as a founding member of the progressive rock band King Crimson in 1968, as well as the hard rock band Foreigner in 1976.
McDonald and Giles is an album released by British musicians Ian McDonald and Michael Giles in 1970. The album was first issued on Island Records (ILPS 9126) in the UK and Cotillion Records (SD 9042), a division of Atlantic Records, in the US. (The album was released on Atlantic itself in several countries.)
Drivers Eyes is the first and only solo album by former King Crimson and Foreigner member Ian McDonald. It features contributions from Peter Frampton , Ian Lloyd , Gary Brooker , Steve Hackett and Hugh McCracken and King Crimson alumni, Michael Giles and John Wetton .
Ian McDonald may refer to: Ian McDonald (civil servant) (1936−2019), Ministry of Defence spokesman during the Falklands War; Ian McDonald (musician) (1946−2022), member of King Crimson, 1969−70, and Foreigner, 1977−79; Iain Matthews (born 1946), previously known as Ian McDonald, member of Fairport Convention
It was written by Robert Fripp, Ian McDonald, Greg Lake, and Michael Giles with lyrics written by Peter Sinfield. The song is noted for its heavy use of the Mellotron. [3] [4] As with the album's first track, "21st Century Schizoid Man", the song's lyrics have a distinctly dystopian feel to them and are presented as a protest to the Cold War ...