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Banquo's role, especially in the banquet ghost scene, has been subject to a variety of mediums and interpretations. Shakespeare's text states: "Enter Ghost of Banquo, and sits in Macbeth's place." [32] Several television versions have altered this slightly, having Banquo appear suddenly in the chair, rather than walking onstage and into it.
Depicted, counter-clockwise from top-left, are: Macbeth and Banquo meet the witches; just after the murder of Duncan; Banquo's ghost; Macbeth duels Macduff; and Macbeth. The Tragedy of Macbeth, often shortened to Macbeth (/ m ə k ˈ b ɛ θ /), is a tragedy by William Shakespeare, estimated to have been first performed in 1606.
Macbeth sees the ghost of Banquo. The tragedy begins amid a bloody civil war in Scotland, where Macbeth is first introduced as a valorous and loyal general with the title of Thane of Glamis (which he inherited from his father Sinel) serving under King Duncan, who gives a colourful and extensive exaltation of Macbeth's prowess and valor in battle.
At different points, the look of “The Tragedy of Macbeth” will recall a silky foreboding film noir, a Val Lewton horror film, a Sirkian soap opera, the cloistered dreamscapes of Ingmar Bergman ...
At the banquet, Macbeth becomes haunted after seeing Banquo's ghost. The others panic at Macbeth raging at an empty chair, until a desperate Lady Macbeth tells them that her husband is merely afflicted with a harmless malady. Enraged, Macbeth is warned by the Three Witches to beware of Macduff, who has fled to England.
The traditional origin is said to be a curse set upon the play by a coven of witches, angry at Shakespeare for using a real spell. [2] One hypothesis for the origin of this superstition is that Macbeth, being a popular play, was commonly put on by theatres in financial trouble, or that the high production costs of Macbeth put theatres in financial trouble.
In Shakespeare's Macbeth, the murdered Banquo returns as a ghost to the dismay of the title character. In English Renaissance theater, ghosts were often depicted in the garb of the living and even in armor, as with the ghost of Hamlet's father. Armor, being out of date by the time of the Renaissance, gave the stage ghost a sense of antiquity. [19]
Emily, the ghost of a young girl who supposedly haunts a covered bridge in Stowe, Vermont. The bridge is dubbed "Emily's Bridge" and she is said to be seen only at midnight; Oscar Washburn, the ghost of a black goat farmer who allegedly haunts Old Alton Bridge in Copper Canyon, Texas. He is commonly known as "the Goatman" as he is said to ...