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The strength of America is not in Washington, D.C., It's in our people, it's on the farms, in the factories. It's the people out here that make this country work. The truck drivers, the farmers. And these people, that's what they were, and I just felt like if you want to go to war, let me take some of these guys with me.
BRAAAM is a loud, low sound typically produced using real or synthesized brass instruments.One of the best-known examples also involved a prepared piano.Seth Abramovitch of The Hollywood Reporter described the sound as "like a foghorn on steroids" which is "meant to impart a sense of apocalyptic momentousness". [3]
Sometimes music from other successful films or hit songs is used as a subconscious tie-in method. Trailer music is known for its sound-design driven and hybrid orchestral style. Trailer music tracks can vary greatly in duration, depending on the theme and target of the album. Some albums contains only sound-effects instead of actual music. The ...
The first track "Anthem" is a vocal choir rising in volume with the drum beats and chimes, which Abels wanted it to sound like an "evil march". [11] He further described it as "One thing that Jordan loves to do and is becoming known for is [to] take something you always assumed was safe or innocent and turn it into something else" citing the ...
According to Dan Peek, "Today's the Day" was the inspiration for the Rod Stewart hit "Tonight's the Night (Gonna Be Alright)" a US #1 single for eight weeks from November 1976 to January 1977 which also afforded Stewart an international smash hit. Peek would recall that one evening when he and his guest Rod Stewart were playing together in Peek ...
Gary Lionelli felt it challenging to "score an epic real-life saga" revolving O. J. Simpson's life progressing through emerging football career, popularity and downfall as he do not want to "sensationalize it or trivialize it in any way" but to focus on the overall tragedy on the circumstances and let that direct the course of the music.
"Tonight" is a song recorded by The Move and was written by Roy Wood originally for pop vocal group The New Seekers. Released in 1971, The Move's version was their first single release on the Harvest label, and charted at number 11 on the UK Singles Chart. [1] In Denmark, it charted at number seven. [2] The song peaked at number 89 in Australia ...
The song was the first collaboration between Gaga, Garibay and White Shadow. [7] It is composed in the key of F minor with a free tempo of 72 beats per minute . Gaga's vocals range from the notes of E 3 to D ♭ 5 and the song follows a basic sequence of Fm–B ♭ m 6 /C–C 7 as its chord progression . [ 8 ] "