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To the Bone is a 1994 live album by the Kinks. Recorded partly at Konk Studios with a small audience, and partly during their 1993 American tour and the 1994 UK tour, it was reissued in an expanded edition in 1996 with two new studio tracks added. To the Bone was the band's final release before their breakup in 1996.
The Kinks, an English rock band, were active for over three decades, from 1963 to 1996, releasing 26 studio albums and four live albums. [1] The first two albums are differently released in the UK and the US, partly due to the difference in popularity of the extended play format (the UK market liked it, the US market did not, so US albums had the EP releases bundled onto them), and partly due ...
To the Bone (The Kinks album) This page was last edited on 12 July 2019, at 16:50 (UTC). Text is available under the Creative Commons Attribution-ShareAlike 4.0 ...
The hard rock sound of Low Budget, released in 1979, helped make it the Kinks' second gold album and highest charting original album in the US, where it peaked at number 11. [ 3 ] [ 4 ] [ 6 ] The live album One for the Road was produced in 1980, along with a video of the same title, bringing the group's concert-drawing power to a peak that ...
Editors at AllMusic rated this album 4 out of 5 stars, with critic Jack Rabid writing that "the early Kinks could be even rawer and more exciting in BBC halls than on their known Pye Records recordings" and emphasizing the early recordings by stating that "the first 19 tracks are indispensable". [1]
The road to reunion for the Kinks has been fraught with in-fighting and bitter sibling rivalry, but despite it all the band has made its way back in the recording studio. Dave Davies confirmed to ...
Kinks guitarist Dave Davies reflects on "Muswell Hillbillies" and "Everybody's in Showbiz" box set, following "Lola" and life with Ray Davies.
It is sung by Ray Davies, similarly to many other Kinks tracks. It opens with a single guitar chord, which many found reminiscent of the opening chord on A Hard Day's Night, and Davies voice is often echoed throughout the track. On the album To the Bone, two versions of the track appeared, one being an acoustic styled version of the track.
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