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AHED Music Corporation, Ltd. was a Canadian company owned by Phil G. Anderson [1] that produced guitar amplifiers, as well as guitars.Its main product line was the GBX amplifier, which could reach 180 watts with 4x10", 4x12" or 2x15" speakers.
Fryette Amplification of North Hollywood, California is a manufacturer of hand-built electric guitar amplifiers, speaker cabinets, power amplifiers, sound effects pedals and pedalboard accessories. The company was founded as VHT Amplification in Studio City, Los Angeles, California by Steven Fryette in January 1989 and was the first to produce ...
The Carr amplifiers with 6L6 tubes are compared to classic Fender amps; the Slant 6V, which offers 6L6 or 6V6 power tube options also has 12AX7 and 12AT7 tubes, was praised as "an amazingly useful and versatile amp" and was a "Guitar Player Editors' Pick" in 2009. [3]
There is a wide range of sizes and power ratings for guitar amplifiers, from small, lightweight practice amplifiers with a single 6-inch speaker and a 10-watt amp to heavy combo amps with four 10-inch or four 12-inch speakers and a 100-watt amplifier, which are loud enough to use in a nightclub or bar performance.
Matchless Amplifiers was founded in 1989 by Mark Sampson and Rick Perotta. The company started in Perotta's home in Hollywood, California. Steve Goodale and Chris Perrotta were also key initial partners. The company saw great success in the early 1990s, meeting the demand for sonically consistent and structurally reliable tube amplifiers.
1955 Twin-Amp, model 5E8. Dual rectifiers and 6L6 power tubes, twin 12" speakers. After the preceding looks of the early 1950s (TV front from 1950 to 51/2; wide panel '52–54), Leo Fender changed the cabinet design again, this time opting for no extra wood on the front of the amp, except for the narrow top and bottom panels that hold the baffle board to the cabinet.
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A guitar amplifier amplifies the electrical signal of an electric guitar so that it can drive a loudspeaker at sufficient volume for the performer and audience to hear. Most guitar amplifiers can also modify the instrument's sound with controls that emphasize or de-emphasize certain frequencies and add electronic effects.
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