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Supro was also a premium brand of amplifiers, [1] being also the first to produce a combo amp with reverb. [1] Supro amps built from the 1930s to the 1950s were regarded for their sound for rock records. [4] The brand was revived in 2013, having reintroduced a line of vintage inspired guitars and amplifiers since then. [5]
Supro Res-O-Glas resonator guitar Since Valco's demise a number of manufacturers have issued copies or derivatives of Valco instrument and amplifier models. Eastwood Guitars produces a variety of reissue Airline guitars, [ 7 ] as well as at least one Supro model, [ 8 ] though all of the former semihollow Res-O-Glas models are now wood solidbodies.
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It was the first electric guitar Hendrix owned. Hendrix's first gig was with an unnamed band in the Jaffe Room of Seattle's Temple De Hirsch, but they fired him between sets for showing off. [2] He joined the Rocking Kings, which played professionally at venues such as the Birdland club. His guitar was stolen after he left it backstage overnight.
Mesa-Boogie Mark IV, a guitar combo amplifier. A guitar amplifier (or amp) is an electronic device or system that strengthens the electrical signal from a pickup on an electric guitar, bass guitar, or acoustic guitar so that it can produce sound through one or more loudspeakers, which are typically housed in a wooden cabinet.
Ace Tone TOP-1. Ace Electronic Industries Inc., or Ace Tone, was a manufacturer of electronic musical instruments, including electronic organs, analogue drum machines, and electronic drums, as well as amplifiers and effects pedals.
The amplifier was reissued for the first time in 1988 (the 1959S), and again from 1991 to 1993 (the 1959X) and from 1993 to 1995 (the 1959SLP). [1] The SLP continued after 1995 but in 2000 Marshall added modifications to lower the noise floor (hum balance pot), reverted the negative feedback resistor to the 1968-69 value of 47 kΩ, and added an effects loop.
The Vibrosonic Reverb was a guitar amplifier made by Fender.This silverfaced guitar combo was basically a master volume Twin Reverb equipped with a JBL D-130-F 15" speaker. It was available with 100 watts RMS of power with a 1960s "tailed" Fender logo before its change to a 135 watts RMS combo featuring a "tailless" Fender decal in 1977.
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