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The lens was unique among perspective-control lenses in that, rather than offering a combination of tilt-and-shift, Minolta designed the lens with variable field curvature, which could make the field of focus either convex or concave (essentially a three-dimensional, spherical form of tilt).
Tilt and swing are movements available on most view cameras, often on both the front and rear standards, and on some small- and medium format cameras using special lenses that partially emulate view-camera movements. Such lenses are often called tilt-shift or "perspective control" lenses.
Thus any focal length lens mounted on a view camera or field camera, and many press cameras can be used with perspective control. Some interchangeable lens medium format , 35 mm film SLR , and Digital SLR camera systems have PC, shift, or tilt/shift lens options which allow perspective control and, in the case of a tilt/shift lens, plane of ...
Tilting the lens results in a wedge-shaped depth of field that may be a better fit to some scenes than the depth of field between two parallel planes that results without tilt. Unlike most view cameras, the shift mechanism allows shifts along only one axis, and the tilt mechanism allows tilts about only one axis; however, the rotation of the ...
The tilt and shift functions cannot be independently rotated. The lens is supplied with these functions at 90° to each other (e.g., providing tilt and lateral shift); they can be changed to work in the same directions (e.g., providing tilt and rise/fall) by removing four screws, rotating the front of the lens 90°, and reinstalling the screws.
Tilt–shift photography#Perspective-control lenses; Retrieved from " ...
The study included data from 1993 through 2010, and showed that the pumping of as much as 2,150 gigatons of groundwater has caused a change in the Earth’s tilt of roughly 31.5 inches. The ...
Tilt-lens photo of a model train, shot with a DSLR camera with a 1.6x crop factor. The lens was swung towards right, in order to keep the plane of focus along the train. The sensor plane, the lens plane and the plane along the train all intersect to the right of the camera.
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