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The United Nations Educational, Scientific and Cultural Organisation (UNESCO) intangible cultural heritage elements are the non-physical traditions and practices performed by a people. As part of a country's cultural heritage, they include celebrations, festivals, performances, oral traditions, music, and the making of handicrafts. [1]
Philippine folk literature refers to the traditional oral literature of the Filipino people. Thus, the scope of the field covers the ancient folk literature of the Philippines' various ethnic groups , as well as various pieces of folklore that have evolved since the Philippines became a single ethno-political unit.
The Philippines is a member of the committee on intangible cultural heritage since 2016, and will end its term in 2019. In 2017, the Ambassador of the Philippines to France and UNESCO urged the Philippine government to nominate the Metal and wood craftsmanship of the Maranao of Lanao in the list in need for urgent safeguarding for 2018.
Dinagyang is the most awarded festival in the Philippines. It has been recognized as the country's best tourism event by the Association of Tourism Officers in the Philippines (ATOP) for three consecutive years in 2006, 2007, and 2008.
Oral tradition, or oral lore, is a form of human communication in which knowledge, art, ideas and culture are received, preserved, and transmitted orally from one generation to another. [1] [2] [3] The transmission is through speech or song and may include folktales, ballads, chants, prose or poetry.
Philippine epic poetry is the body of epic poetry in Philippine literature. Filipino epic poetry is considered to be the highest point of development for Philippine folk literature, encompassing narratives that recount the adventures of tribal heroes. These epics are transmitted through oral tradition using a select group of singers and chanters.
The Philippines has hosted the Philippine International Pyromusical Competition, the world's largest pyrotechnic competition (previously known as the World Pyro Olympics) since 2010. [197] Lacquerware is a less-common art form. Filipino researchers are studying the possibility of turning coconut oil into lacquer.
The spectacle of Djemaa el Fna is repeated daily and each day it is different. Everything changes – voices, sounds, gestures, the public which sees, listens, smells, tastes, touches. The oral tradition is framed by one much vaster – that we can call intangible. The Square, as a physical space, shelters a rich oral and intangible tradition.