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Jānis Ivanovs [a] (9 October 1906 [O.S. September 26] – 27 March 1983) was a Latvian composer whose later career took place in the Soviet Union. [1] In 1931, he graduated from the Latvian State Conservatory in Riga. [2] In 1944, he joined the conservatory's faculty, becoming a full professor in 1955. [3]
Caucasian Sketches (Russian: Кавказские эскизы) is a pair of orchestral suites written in 1894 and 1896 by the Russian composer Mikhail Ippolitov-Ivanov.The Caucasian Sketches is the most often performed of his compositions and can be heard frequently on classical radio stations.
The Vocalises (Latvian: Vokalīzes; Russian: Вокализы, romanized: Vokalizy) are a set of fourteen pieces for SATB chorus a capella by Jānis Ivanovs. The first was "Rudens dziesma" (Autumn Song), composed in 1964. Through the encouragement of Imants Kokars, Ivanovs developed this and subsequent Vocalises into a cycle. The final one was ...
The Ivanovs vs. The Ivanovs (Russian: Ивановы-Ивановы, romanized: Ivanovy-Ivanovy) is a Russian TV series produced since 2017. Made by "Yellow, Black and White" (episodes 1 to 40) and "Pick Up Film" film companies. The series has very high television ratings [1] and has won award "TEFI".
He secured for himself the directorship of the orchestra of Tbilisi, the capital of Georgia, and spent up to seven years learning about Georgian folk music. Some of the style and melodies of that region are included in his Caucasian Sketches. [1] It is dedicated to I. Pitoéff, at that time President of the Russian Musical Society on Tiflis.
Mikhail Mikhaylovich Ivanov was born in Moscow in 1849. He studied at the Technological Institute, Saint Petersburg, then at the Moscow Conservatory for a year, under Pyotr Ilyich Tchaikovsky (harmony) and Alexandre Dubuque (piano).
Ivanovs is the Latvianized form of the surname Ivanov. The feminine form, Ivanova , is the same in Latvian and Russian. The surname may refer to the following notable people:
After being a student of Nikolai Rimsky-Korsakov, Ippolitov-Ivanov moved to Tbilisi, where he tried to become the director of its conservatory and its orchestra. In these years, he composed both Suite No. 1, in 1894, and Suite No. 2, in 1896. [1] This suite, as Suite No. 1 did, also presents re-used material from Georgian folk songs.