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The hannya (般若) is a mask used in a traditional Japanese Noh theater, representing a jealous female demon. It is characterized by two sharp bull-like horns, metallic eyes, and a leering mouth. [1] In Noh plays, the type of mask changes according to the degree of jealousy, resentment, and anger of the female characters.
A dancing drummer wearing a Namahage costume, performed Namahage-Daiko in Akita Station.. The Namahage (生剥げ, なまはげ) [1] are demonlike beings portrayed by men wearing hefty oni (ogre) masks and traditional straw capes during a New Year's ritual, in local northern Japanese folklore of the Oga Peninsula area of Akita Prefecture.
Kyoto geisha Toshimana holding a Nōh mask, wearing full make-up and a katsura (wig). Oshiroi ( 白粉 ) is a powder foundation traditionally used by kabuki actors, geisha and their apprentices . The word is written with kanji meaning "white powder", and is pronounced as the word for white ( shiroi ) with the honorific prefix o- .
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Onryō are used as subjects in various traditional Japanese performing arts such as Noh, Kabuki, and Rakugo; for example, hannya is a Noh mask representing a female onryō. [5] The Japanese people's reverence for onryō has been passed down to the present day.
Also creating contemporary yūrei-zu in a traditional style is American-born, Japanese-resident artist Matthew Meyer. His Japanese Yōkai series is collected in his illustrated book The Night Parade of One Hundred Demons. According to Meyer, the intention of his paintings is "to recreate the feeling of old Japanese woodblock prints while adding ...
Two kami of earth, clay and pottery, either born from Izanami and Izanagi after Japan was made, or from Izanami's feces as she died from giving birth to Kagu-tsuchi. Hannya A Noh mask representing a jealous female demon. Haradashi A humanoid creature with a giant face on its stomach, that enjoys making people laugh with zany antics. Harionago
In some parts of north eastern Japan, Hyottoko is regarded as the god of fire. There is a well known folk story in the form of music, izumoyasugibushi (出雲安来節) where a fisherman dances with a bamboo basket, having the same visual expression as the mask of Hyottoko. During this dance, a person puts five yen coins on their nose.
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