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Chinrest on a violin. A chinrest is a shaped piece of wood (or plastic) attached to the body of a violin or a viola to aid in the positioning of the player's jaw or chin on the instrument. The chinrest may be made of ebony, rosewood, boxwood, or plastic.
A violin consists of a body or corpus, a neck, a finger board, a bridge, a soundpost, four strings, and various fittings.The fittings are the tuning pegs, tailpiece and tailgut, endpin, possibly one or more fine tuners on the tailpiece, and in the modern style of playing, usually a chinrest, either attached with the cup directly over the tailpiece or to the left of it.
The weaker sides of Spohr's violin compositions are observed in his somewhat monotonous rhythmic structures; in his rejection of certain piquant bowing styles, and artificial harmonics; and in the deficiency of contrapuntal textures. [16] Spohr was a noted violinist, and invented the violin chinrest, about 1820.
A man playing the violin. It is possible to play the violin holding it in a variety of ways. Most players hold the lower bout of the instrument between the left shoulder and the jaw, often assisted by a semi-permanently attached chinrest and detachable shoulder rest.
A violin generally consists of a spruce (especially Norway spruce) top (the soundboard, also known as the top plate, table, or belly), maple ribs and back, two endblocks, a neck, a bridge, a soundpost, four strings, and various fittings, optionally including a chinrest, which may attach directly over, or to the left of, the tailpiece.
A shoulder rest, whatever its design, is an accessory to facilitate holding the instrument in place while playing. This can lighten the task of the left hand, enabling smoother and lighter shifting technique. All rests must make a compromise between violin support and freedom (or flexibility in holding the violin).
Stanley Ritchie, an Australian violinist born in 1935, is a Distinguished Professor Emeritus of Violin at Jacobs School of Music, Indiana University. [1] [2] A noted specialist in historical performance, Ritchie is author of two relevant books, ‘Before the Chinrest - A Violinist’s Guide to the Mysteries of Pre-Chinrest Technique and Style’ (2012) and 'The Accompaniment in "Unaccompanied ...
Some aspects of violin playing in his day can be seen: the lightweight, concave bow and the absence of any chin rest or shoulder rest. Versuch einer gründlichen Violinschule (A Treatise on the Fundamental Principles of Violin Playing) is a textbook for instruction in the violin, published by Leopold Mozart in 1756.
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