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The accordion's popularity spread rapidly: it has mostly been associated with the common people, and was propagated by Europeans who emigrated around the world. The accordion in both button and piano forms became a favorite of folk musicians [35] and has been integrated into traditional music styles all over the world: see the list of music ...
The accordion was spread across the globe by the waves of Europeans who emigrated to various parts of the world in the late 19th century and early 20th century. The mid-19th-century accordion became a favorite of folk musicians for several reasons: "The new instrument's popularity [among the common masses] was a result of its unique qualities.
The advent of the accordion is the subject of debate among researchers. Some historians credit Christian Friedrich Ludwig Buschmann as the inventor of the accordion, but most others give the distinction to Cyrill Demian, an Armenian-Romanian from the Transylvanian town of Szamosújvár (ancient Armenopolis) living in Vienna, who patented his accordion in 1829, thus coining the name.
The Harmoneon or concert accordion [2] (French: Harmonéon, accordeon de concert) is a French free reed aerophone, [3] invented by Pierre Monichon in 1948, although he only patented the instrument four years later in 1952. It has been taught in musical conservatories since 1974. [4]
This is a list of articles describing traditional music styles that incorporate the accordion, alphabetized by assumed region of origin.. Note that immigration has affected many styles: e.g. for the South American styles of traditional music, German and Czech immigrants arrived with accordions (usually button boxes) and the new instruments were incorporated into the local traditional music.
This is a list of articles describing popular music acts that incorporate the accordion. The accordion appeared in popular music from the 1900s-1960s. This half century is often called the "Golden Age of the Accordion." Three players: Pietro Frosini, and the two brothers Count Guido Deiro and Pietro Deiro were major influences at this time.
As most diatonic accordions are centered on certain keys, the Schwyzerörgeli is usually tuned in 'flat' keys to fit with the clarinet, with the outer row giving a B ♭ scale, the next row E ♭, and the next giving a mixture of notes allowing music to be played in A ♭, D ♭ and G ♭ when fingered across the rows.
The Cajun accordion is generally defined as a single-row diatonic accordion, as compared to multiple-row instruments commonly used in Irish, Italian, polka, and other styles of music. The Cajun accordion has four reed ranks , i.e., four reeds for each melody button, and each reed bank is controlled by a corresponding stop or knob on the top of ...