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In the hospital scene, where Shinji stands alone in an empty corridor, contrasts of light and shadow were used, keeping the scene monochromatic, to represent Shinji's inner emptiness. [ 34 ] [ 35 ] Furthermore, the main staff used real brands in "The Beast" scenes to depict a realistic fictional world, [ 36 ] including a Mitsubishi Fuso truck ...
A feature film was created as a complementary, alternate ending to the original episodes 25 and 26 and released in three stages: first as a preview (Neon Genesis Evangelion: Death & Rebirth), then as the completed alternate ending (The End of Evangelion), then finally as a theatrical revival combining the two into one presentation (Revival of ...
In an interview, Satsukawa stated that the fifteenth one is the Neon Genesis Evangelion episode in which his personality is reflected the most, as there is no Angel and only one scene with the Evangelions. [30] In the wedding scene with Misato, Ritsuko and Kaji, Misato fixes Kaji's tie and he thanks her in a close-up.
Like the episodes of the classic series, the episodes were given a double title; one in Japanese, and one in English. The title of the first segment was initially "The Door to Summer" ( 夏への扉 , Natsu e no tobira ) , a reference to Robert A. Heinlein 's science fiction novel of the same name .
The first section, Evangelion:Death, is a 're-cap' editing together scenes from the first 24 episodes of Neon Genesis Evangelion in the form of a clip show, along with additional animation created after the show's original broadcast.
In their book Anime Classics Zettai!, writers Brian Camp and Julie Davis described the scene in which Shinji and Rei talk on an escalator as an example of the "intricate geometric compositions" in which Neon Genesis Evangelion characters are often placed, praising the composition and the editing of the scenes of the series. [98]
Rebuild of Evangelion, known in Japan and on Amazon Prime Video [100] as Evangelion: New Theatrical Edition (ヱヴァンゲリヲン新劇場版, Evangerion Shin Gekijōban), is a Japanese animated film series and a retelling of the original Neon Genesis Evangelion anime television series, produced by Studio Khara.
"Ambivalence" was first broadcast on January 31, 1996, and drew a 9.6 percent audience share on Japanese television. During its first airing, the episode was criticized for the violence of the confrontation against Bardiel. Critics praised the script, direction, and battle scenes, considering it one of the best episodes in the series.