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Wallpapers can come plain as "lining paper" to help cover uneven surfaces and minor wall defects, "textured", plain with a regular repeating pattern design, or with a single non-repeating large design carried over a set of sheets. The smallest wallpaper rectangle that can be tiled to form the whole pattern is known as the pattern repeat.
The technique used by Morris for making wallpaper was described in some detail in Arts and Crafts Essays by Members of the Arts and Crafts Exhibition Society published in 1893. The chapter on wallpaper was written by Walter Crane. He describes how the wallpapers of Morris were made using pieces of paper thirty-feet long and twenty-one inches wide.
Possibly the most identifiable Border tartan garment of the region is the maud, made popular from the 1820s by fashionable Border Scots such as Sir Walter Scott, James Hogg, Henry Scott Riddell [1] and Robert Burns. The modern Border tartan is a crossweave of small dark and light checks, much plainer than the more elaborate Scottish tartans. [2]
Tapestry is relatively fragile, and difficult to make, so most historical pieces are intended to hang vertically on a wall (or sometimes in tents), or sometimes horizontally over a piece of furniture such as a table or bed. Some periods made smaller pieces, often long and narrow and used as borders for other textiles.
The use of multiple transfers, each with a different colour, was introduced quite early when different areas were printed in each colour, for example, a plate with the centre in one colour, and the border in another. It was more difficult to build up a full polychrome image, but this was perfected by Messrs F&R Pratt of Fenton in the 1840s. [6]
The wallpaper tax was a property tax introduced in Great Britain in 1712, during the reign of Queen Anne. Patterned, printed, or painted wallpaper was initially taxed at 1d per square yard, rising to 1s (equivalent to £4.58 as of 2023), [1] by 1809. The tax was bypassed by purchasing untaxed plain paper and having it hand stenciled. The tax ...
In theater and film, a cyclorama (abbreviated cyc in the U.S., Canada, and the UK) is a large curtain or wall, often concave, positioned at the back of the apse. It often encircles or partially encloses the stage to form a background. The world "cyclorama" stems from the Greek words "kyklos", meaning circle, and "orama", meaning view.
These depend, apart from the wallpaper group, on a number of parameters for the translation vectors, the orientation and position of the reflection axes and rotation centers. The numbers of degrees of freedom are: 6 for p2; 5 for pmm, pmg, pgg, and cmm; 4 for the rest. However, within each wallpaper group, all symmetry groups are algebraically ...
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