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  2. Standing bell - Wikipedia

    en.wikipedia.org/wiki/Standing_bell

    Singing bowls. Bowls that were capable of singing began to be imported to the West from around the early 1970s. The musicians Henry Wolff and Nancy Hennings have been credited with the singing bowl's introduction for musical purposes in their 1972 new-age album Tibetan Bells (although they gave no details of the bowls used in the recording). [34]

  3. List of Nepali musical instruments - Wikipedia

    en.wikipedia.org/wiki/List_of_Nepali_musical...

    These instruments all have the hollow going from the bowl up into the neck, extensions outward from the neck (just above the bowl). Re-creation of the Aarbajo. The instrument is being held like a guitar or dramyen. The traditional way is to set it vertically in the lap. Dakkari: डक्कारी

  4. Music of Tibet - Wikipedia

    en.wikipedia.org/wiki/Music_of_Tibet

    Monks playing dungchen, Tibetan long trumpets, from the roof of the Medical College, Lhasa, 1938 Street musician playing a dramyin, Shigatse, Tibet, 1993. The music of Tibet reflects the cultural heritage of the trans-Himalayan region centered in Tibet, but also known wherever ethnic Tibetan groups are found in Nepal, Bhutan, India and further abroad.

  5. Himalayan singing bowls, therapeutic Nepalese tradition in St ...

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  6. Dramyin - Wikipedia

    en.wikipedia.org/wiki/Dramyin

    The dramyin or dranyen (Tibetan: སྒྲ་སྙན་, Wylie: sgra-snyan; Dzongkha: dramnyen; Chinese: 扎木聂; pinyin: zhamunie) [1] is a traditional Himalayan folk music lute with six strings, used primarily as an accompaniment to singing in the Drukpa Buddhist culture and society in Bhutan, as well as in Tibet, Ladakh, Sikkim and Himalayan West Bengal.

  7. Shamanic music - Wikipedia

    en.wikipedia.org/wiki/Shamanic_music

    Setting up the sound-space of the ritual A very important element in Siberian shamanism is the use of hanging metallic objects – possibly including small bells – attached to the shaman's ritual cloak and to the inside of the drum and also sometimes to the beater. This sets up a continuously moving sound field, heard as a single complex ...

  8. Throat singing - Wikipedia

    en.wikipedia.org/wiki/Throat_singing

    Throat singing techniques may be classified under an ethnomusicological approach, which considers cultural aspects, their associations to rituals, religious practices, storytelling, labor songs, vocal games, and other contexts; or a musical approach, which considers their artistic use, the basic acoustical principles, and the physiological and mechanical procedures to learn, train and produce ...

  9. Buddhist music - Wikipedia

    en.wikipedia.org/wiki/Buddhist_music

    Tibetan Buddhism developed its own musical notation system and manuscripts depicting this system have survived in use until the present day. [99] Tibetan monks are also noted for their skill at throat-singing or overtone singing. [9] This is a specialized form of singing in which the singer can sound like he is producing separate notes ...

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