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  2. Twelve-bar blues - Wikipedia

    en.wikipedia.org/wiki/Twelve-bar_blues

    The twelve-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly based on the I, IV, and V chords of a key. Mastery of the blues and rhythm changes are "critical elements ...

  3. V–IV–I turnaround - Wikipedia

    en.wikipedia.org/wiki/V–IV–I_turnaround

    "In a blues in A, the turnaround will consist of the chords E 7, D 7, A 7, E 7 [V–IV–I–V]." [ 3 ] [ 4 ] V may be used in the last measure rather than I since, "nearly all blues tunes have more than one chorus (occurrence of the 12-bar progression ), the turnaround (last four bars) usually ends on V, which makes us feel like we need to ...

  4. 12-Bar Original - Wikipedia

    en.wikipedia.org/wiki/12-Bar_Original

    "12-Bar Original" was the Beatles' first instrumental after signing for EMI, and was produced by George Martin at EMI's Abbey Road Studios, London. Four other instrumentals by the group are the aforementioned "Flying", an outtake version of that song called "Aerial Tour Instrumental", " Cayenne " and " Cry for a Shadow ".

  5. Portal:Blues - Wikipedia

    en.wikipedia.org/wiki/Portal:Blues

    Blues legend B.B. King with his guitar, "Lucille" Blues is a music genre and musical form that originated amongst African-Americans in the Deep South of the United States around the 1860s. Blues has incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture.

  6. Three-chord song - Wikipedia

    en.wikipedia.org/wiki/Three-chord_song

    A common type of three-chord song is the simple twelve-bar blues used in blues and rock and roll. Typically, the three chords used are the chords on the tonic , subdominant , and dominant ( scale degrees I, IV and V): in the key of C, these would be the C, F and G chords.

  7. W. C. Handy - Wikipedia

    en.wikipedia.org/wiki/W._C._Handy

    Handy later rewrote the tune and changed its name from "Mr. Crump" to "Memphis Blues." The 1912 publication of the sheet music of "The Memphis Blues" introduced his style of 12-bar blues; it was credited as the inspiration for the foxtrot by Vernon and Irene Castle, a New York dance team. Handy sold the rights to the song for $100.

  8. Hi-Heel Sneakers - Wikipedia

    en.wikipedia.org/wiki/Hi-Heel_Sneakers

    "Hi-Heel Sneakers" (often also spelled "High Heel Sneakers") is a blues song written and recorded by Tommy Tucker in 1963. Blues writer Mary Katherine Aldin describes it as an uptempo twelve-bar blues, with "a spare, lilting musical framework", and a strong vocal. [2] The song's rhythmic approach has also been compared to that of Jimmy Reed. [3]

  9. List of blues standards - Wikipedia

    en.wikipedia.org/wiki/List_of_blues_standards

    B.B. King and Muddy Waters, with the most standards on the charts at five each, [8] used electric blues-ensemble arrangements. Music journalist Richie Unterberger commented on the adaptability of blues: "From its inception, the blues has always responded to developments in popular music as a whole: the use of guitar and piano in American folk ...

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