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"The Sinking of the Reuben James" is a song by Woody Guthrie about the sinking of the U.S. convoy escort USS Reuben James, which was the first U.S. naval ship sunk by German U-boats in World War II. Woody Guthrie had started to write a song including each name on the casualty list of the sinking.
Old ships code-named "Corn cobs" were sunk to form a protective reef for the Mulberry harbours at Arromanches and Omaha Beach for the Normandy landings. The sheltered waters created by these scuttled ships were called "Gooseberries" and protected the harbours so transport ships could unload without being hampered by waves.
"The Sweet Trinity" (Roud 122, Child 286), also known as "The Golden Vanity" or "The Golden Willow Tree", is an English folk song or sea shanty.The first surviving version, about 1635, was "Sir Walter Raleigh Sailing In The Lowlands (Shewing how the famous Ship called the Sweet Trinity was taken by a false Gally & how it was again restored by the craft of a little Sea-boy, who sunk the Gally)".
On water tanks, the Kingston valve gave ship engineers the ability to blow out increasingly salty water from the system, by safely and easily operating the valve from the interior of the ship. [3] Sea water was used in the ship's steam-powered propulsion system, with water being injected and ejected from the boilers. [ 3 ]
The third single is "Little Motel". The video was shown on the official Modest Mouse YouTube channel on October 11, 2007. "People as Places as People" was the final single released from the album. The music video featured a woman bringing her husband, a humanoid tree, to visit her parents.
"Sinking Ships" is a song by the Bee Gees, released as the B-side of "Words" in January 1968. It was written by Barry, Robin and Maurice Gibb and produced by Robert Stigwood and the Bee Gees. The song was unusual for the group in that it featured solo vocal lines from all three Gibb brothers. It was reissued in Germany in 1987. Both tracks were ...
In 2013, the Wellington Sea Shanty Society released a version of the song on their album Now That's What I Call Sea Shanties Vol. 1. [3] A particularly well-known rendition of the song was made by the Bristol-based a cappella musical group the Longest Johns on their collection of nautical songs Between Wind and Water in 2018. [16]
In 2016, Ignatiy Vishnevetsky of The A.V. Club described the song as "a placid piece of music that uses a sophisticated palette of synthesized instruments and futuristic sound effects to create a mood of calm that's very different from the sped-up themes usually associated with platform games", being "more nocturnal and urban than submarine".