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The Viola da Gamba. London and New York: Routledge ISBN 9781138240230. Reprinted 2019 ISBN 9780367443757. O'Loghlin, Michael. Frederick the Great and his Musicians: the Viola da Gamba Music of the Berlin School (Routledge, 2017); the famous Prussian king (1712–1786) was a musician and patron of music. Woodfield, Ian; Robinson, Lucy.
A violin is a "little viola", a violone is a "big viola" or a bass violin, and a violoncello (often abbreviated cello) is a "small violone" (or literally, a "small big viola"). (The violone is not part of the modern violin family; its place is taken by the modern double bass, an instrument with a mix of violin and viol characteristics.)
The name cello is derived from the ending of the Italian violoncello, [2] which means "little violone". Violone ("big viola") was a large-sized member of viol (viola da gamba) family or the violin (viola da braccio) family.
Georg Philipp Telemann. The Paris quartets is a collective designation for two sets of Chamber music compositions, each consisting of six works for flute, violin, viola da gamba (or cello), and continuo, by Georg Philipp Telemann, first published in 1730 and 1738, respectively.
The viol, or viola da gamba, was introduced to Italy from Spain around 1490. Before the introduction of the viol, no bowed instrument existed in the region The viol da gamba was played in the a gamba position [ 4 ] (i.e., between the legs like a cello, as opposed to under the chin like a violin).
Nikolaus had previously played the viola da gamba (an instrument similar to the baryton, but without the sympathetic strings), but in 1765 he purchased a baryton. [3] In the same year, Haydn received an official reprimand from the prince for neglecting his duties; for details of this episode see Gregor Werner. An addendum to the reprimand ...
Viola da braccio in detail from a fresco by Gaudenzio Ferrari in Santa Maria dei Miracoli, Saronno (c. 1534–6). Viola da braccio (from Italian "arm viola", plural viole da braccio) is a term variously applied during the baroque period to instruments of the violin family, in distinction to the viola da gamba ("leg viola") and the viol family to which the latter belongs.
The sixth concerto grosso, Brandenburg Concerto No. 6, which was scored for 2 violas "concertino", cello, 2 violas da gamba, and continuo, had the two violas playing the primary melodic role. [19] He also used this unusual ensemble in his cantata, Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18 and in Mein Herze schwimmt im Blut, BWV ...
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