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The original 7" B-side "The Sound of the Crowd (Add Your Voice)" is an instrumental remix of the A-side, an edit of which was later used as the closing track of the remix album Love and Dancing, issued in 1982 under the name of The League Unlimited Orchestra.
Each song took a week, with the final drum parts recorded last to tape with all the drum fills in place. [14] The first result of their recording sessions was released in April 1981 entitled "The Sound of the Crowd". The final addition to the band would be Jo Callis, the former guitarist and songwriter of the punk rock band the Rezillos.
The Sound of the Crowd - Greatest Hits In Concert: ... Original Remixes & Rarities: Released: 7 November 2005 ... Tie-in with 2003 The Very Best of compilation album ...
The album was reissued on vinyl+DVD in 10 November 2017 with a new title, The Sound Of The Crowd - Greatest Hits In Concert, and a new cover. [4] [5] [6] The vinyl featured a truncated list of ten songs. In 2024, the album was reissued as an expanded 2 CD+DVD combo.
Although the stage production uses the song only during the concert scene, Ernest Lehman's screenplay for the film adaptation uses the song twice. In a new scene created for the film, inspired by a line in the original script by Howard Lindsay and Russel Crouse, Captain von Trapp sings "Edelweiss" to his children in their family drawing room, with his eldest daughter, Liesl, singing along briefly.
This version of the song begins with the sound of stadium crowds singing the original chorus. It then samples Jonathan Pearce's commentary of the decisive penalty miss by England's Gareth Southgate in a shoot-out with Germany, where England were eliminated at the semi-final stage. Pearce's commentary of earlier rounds of the tournament was also ...
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"The Lebanon" is a song by English synth-pop band the Human League, released as a single in April 1984. Written jointly by lead singer Philip Oakey and keyboard player and guitarist Jo Callis, it was the first single from the band's fourth album Hysteria. It was recorded at AIR Studios during 1983–1984.