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Psalm 23 is often referred to as the "Shepherd's Psalm". The theme of God as a shepherd was common in ancient Israel and Mesopotamia . For example, King Hammurabi , in the conclusion to his famous legal code , wrote: "I am the shepherd who brings well-being and abundant prosperity; my rule is just.... so that the strong might not oppress the ...
The King of Love My Shepherd Is is an 1868 hymn with lyrics written by Henry Williams Baker, based on the Welsh version of Psalm 23 and the work of Edmund Prys. [1] [2] [3] It is most often sung to one of four different melodies: "Dominus Regit Me", composed by John Bacchus Dykes, a friend and contemporary of Henry Williams Baker.
Biblical Songs was written between 5 and 26 March 1894, while Dvořák was living in New York City. It has been suggested that he was prompted to write them by news of a death (of his father Frantisek, or of the composers Tchaikovsky or Gounod, or of the conductor Hans von Bülow); but there is no good evidence for that, and the most likely explanation is that he felt out of place in the ...
"The Lord's My Shepherd" is a Christian hymn. It is a metrical psalm commonly attributed to the English Puritan Francis Rous and based on the text of Psalm 23 in the Bible. The hymn first appeared in the Scots Metrical Psalter in 1650 traced to a parish in Aberdeenshire.
The Lord Is My Shepherd is a sacred choral composition by John Rutter, a setting of Psalm 23. The work was published by Oxford University Press in 1978. [1] Marked "Slow but flowing", the music is in C major and 2/4 time. [2] Rutter composed it for Mel Olson and the Chancel Choir of the First United Methodist Church in Omaha, Nebraska. [2]
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The 23rd psalm, in which this phrase appears, uses the image of God as a shepherd and the believer as a sheep well cared-for. Julian Morgenstern has suggested that the word translated as "cup" could contain a double meaning: both a "cup" in the normal sense of the word, and a shallow trough from which one would give water to a sheep. [4]
The work was commissioned for the 1965 Southern Cathedrals Festival at Chichester Cathedral by the cathedral's Dean, Walter Hussey. [2] However, the world premiere took place in the Philharmonic Hall, New York, on 15 July 1965 with the composer conducting, followed by the performance at Chichester on July 31, 1965, conducted by the cathedral's Organist and Master of the Choristers, John Birch.