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Heracles and Geryon on an Attic black-figured amphora with a thick layer of transparent gloss, c. 540 BC, now in the Munich State Collection of Antiquities.. Black-figure pottery painting (also known as black-figure style or black-figure ceramic; Ancient Greek: μελανÏŒμορφα, romanized: melanómorpha) is one of the styles of painting on antique Greek vases.
The square-mouthed vases culture (Italian: cultura dei vasi a bocca quadrata) is a culture of the Middle Neolithic period, widespread in northern Italy during the fifth millennium BC. The name comes from the characteristic type of vessel, which has a square mouthpiece instead of circular.
Neoclassical "Black Basalt" Ware vase by Wedgwood, c. 1815 AD Much of the early study of Greek vases took the form of production of albums of the images they depict, however neither D'Hancarville's nor Tischbein 's folios record the shapes or attempt to supply a date and are therefore unreliable as an archaeological record.
Every-day vases were often not painted, but wealthy Greeks could afford luxuriously painted ones. Funerary vases on male graves might have themes of military prowess, or athletics. However, allusions to death in Greek tragedies was a popular motif. Famous centers of vase styles include Corinth, Lakonia, Ionia, South Italy, and Athens. [1]
Famille noire (Chinese: å¢¨åœ°ç´ ä¸‰å½©, Modi susancai) uses a black ground. Genuine famille noire wares were made in the Kangxi era, although some clobbered wares had the black added to famille verte porcelain in the 19th century. They may have a copper-green lead-based enamel painted over dry black cobalt ground on the biscuit, and a ...
Inside of the cup. The Dionysus Cup is the modern name for one of the best known works of ancient Greek vase painting, a kylix (drinking cup) dating to 540–530 BC. It is one of the masterpieces of the Attic black-figure potter Exekias and one of the most significant works in the Staatliche Antikensammlungen in Munich.
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