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In Strange Woods is an American musical fiction podcast produced by Atypical Artists and created by Jeff Luppino-Esposito, Brett Ryback, and Matt Sav. The series is told in the style of a true crime documentary with an original folk-pop score.
The Magic Chord is a chord and installation (1984) created by La Monte Young, consisting of the pitches E, F, A, B ♭, D, E, G, and A, in ascending order and used in works including his The Well-Tuned Piano and Chronos Kristalla (1990). [1]
Suzannah Clark, a music professor at Harvard, connected the piece's resurgence in popularity to the harmonic structure, a common pattern similar to the romanesca.The harmonies are complex, but combine into a pattern that is easily understood by the listener with the help of the canon format, a style in which the melody is staggered across multiple voices (as in "Three Blind Mice"). [1]
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During the same period that Ornstein was introducing tone clusters to the concert stage, Ives was developing a piece with what would become the most famous set of clusters: in the second movement, "Hawthorne", of the Concord Sonata (c. 1904–1915, publ. 1920, prem. 1928, rev. 1947), mammoth piano chords require a wooden bar almost fifteen ...
Piano: 230 strings[*] 88 courses. A 0 A ♯ 0 B 0 C 1 C ♯ 1 D 1 D ♯ 1 E 1 F 1 F ♯ 1 G 1 G ♯ 1 [...] *C ♯ 7 D 7 D ♯ 7 E 7 F 7 F ♯ 7 G 7 G ♯ 7 A 7 A ♯ 7 B 7 C 8. Pianoforte, Grand, Grand Piano, Concert Grand, Upright, Upright Piano, Spinet Europe (Italy) * About 2 ⁄ 3 of courses are triple strung; some lower courses are double ...
The French composer Emmanuel Chabrier (1841–1894) wrote music in many genres, including opera and operetta, piano, orchestral music, and songs with piano accompaniment. [1] The songs cover most of his creative years, from the early 1860s to 1890, when the illness which would kill him prevented much composition.
None of the chords are simple (major or minor) triads. [32] The verses alternate between A ♭ Madd6 (or Fm 6 5) and E ♭ m 4 2 until the end of the section, with the appearance of a G ♭ major chord (first as G ♭ M9 6 4 and then as G ♭ M9) that gives the piece a brief sense of tonal stability, but which pivots to the newly-tonicized D ...
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