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Michael Charles Gauntlet Wilding (23 July 1912 – 8 July 1979) was an English stage, television, and film actor. He is best known for a series of films he made with Anna Neagle ; he also made two films with Alfred Hitchcock , Under Capricorn (1949) and Stage Fright (1950); and he guest starred on Hitchcock's TV show in 1963.
Spring in Park Lane is a 1948 British romantic comedy film produced and directed by Herbert Wilcox which starred Anna Neagle, Michael Wilding and Tom Walls.Part of a series of films partnering Neagle and Wilding, it was the top film at the British box office in 1948 and remains the most popular entirely British-made film ever in terms of all-time attendance.
Maytime in Mayfair is a 1949 British musical romance film directed by Herbert Wilcox and starring Anna Neagle, Michael Wilding, Nicholas Phipps, and Tom Walls. [2] It was a follow-up to Spring in Park Lane. [3] The film was one of the most popular movies at the British box office in 1949. [4] [5]
The film featured Wilding as an upper-class dandy and Neagle as the maid he marries, only to have the two of them driven apart by Victorian society. [6] The third pairing of Neagle and Wilding in the "London Films", as the series of films came to be called, was in Spring in Park Lane (1948). A comedy, this depicted the romance between a ...
Wilcox teamed his wife Anna Neagle with Michael Wilding for the first time, establishing them as top box-office stars in five more films, ending with The Lady with a Lamp (1951). [4] Wilding was third choice for leading man after Rex Harrison and John Mills .
The Courtneys of Curzon Street (also titled The Courtney Affair or Kathy's Love Affair, in the U.S.) is a 1947 British drama film starring Anna Neagle and Michael Wilding.It is a postwar, reconstruction-era movie following a family through four generations and their sacrifices in wars and accompanying social changes.
Best known for appearances on soaps “Guiding Light” (1985-88) and “Dallas” (1989), Michael shares another credit with his mother, the TV movie “Sweet Bird of Youth” (1989), per IMDb.
The upper classes, represented by Anna Neagle and Michael Wilding – who contrive to look as though they were posing for an advertisement in a glossy magazine – suffer bravely but woodenly over their champagne. A script sadly deficient in wit, originality or probability shows up the pedestrian nature of Herbert Wilcox's technique.
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