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In 1952 and 1957, they began to produce magnetic tape, with compact cassette tapes following in 1966. TDK manufactured an extensive portfolio of magnetic and optical media, including several formats of videotape and blank CD-R and recordable DVD discs until the recording media business was sold to Imation in 2007.
Remanence of audio tapes, referred to quarter-inch tape width, varies from around 1100 G for basic ferric tapes to 3500 G for Type IV tapes; [5] advertised remanence of the 1986 JVC Type IV cassette reached 4800 G. [6] Coercivity is a measure of the external magnetic flux required to magnetize the tape, and an indicator of the necessary bias level.
The thickest tape normally used in cassettes is about 16-18 μm in thickness, and is used in C60 cassettes and in shorter lengths such as the C46. As the standard tape speed for a compact cassette is 1 + 7 ⁄ 8 inches per second (4.762 cm/s) and a C60 cassette records 30 minutes per side, a C60 cassette in theory holds 281 + 1 ⁄ 4 ft (85.73 ...
The Compact Cassette, also commonly called a cassette tape, [2] audio cassette, or simply tape or cassette, is an analog magnetic tape recording format for audio recording and playback. Invented by Lou Ottens and his team at the Dutch company Philips , the Compact Cassette was released in August 1963.
Sony's MiniDisc was one of two rival digital systems introduced in 1992 that were intended to replace the Philips Compact Cassette analog audio tape system: the other was the Digital Compact Cassette (DCC), created by Philips and Matsushita (now Panasonic).
The tape is passed through an inner ring of loose tape reel, where the recording is stored, and looped back through the outer ring of the reel. Initially, this mechanism was to be implemented in a reel-to-reel audio tape recorder. [3] [4] Later, Cousino developed a plastic case that could be hung up on some existing tape recorders. [5]
Tapes affected by sticky-shed are those that were made by Ampex/Quantegy such as 406/407, 456/457, 499, and consumer/audiophile grade back coated tapes such as Grand Master and 20-20+, [citation needed] as well as those made by Scotch/3M including professional tapes such as 206/207, 226/227, 262 (though not all 262 is backcoated and therefore isn't affected), 808, and 986 as well as audiophile ...
To store the digitally encoded audio/video on a standard NTSC Video8 cassette, the tape must be run at double the Hi8 speed. Thus, a 120-minute NTSC Hi8 tape yields 60 minutes of Digital8 video. Most Digital8 units offer an LP mode, which increases the recording time on an NTSC P6-120 tape to 90 minutes.
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