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While scholars have thus far not provided a history of the Anima Sola (or Ánimas del purgatorio in Spanish), [citation needed] the practice of praying for the souls in purgatory extends at least as far back as the Council of Trent in which the following was determined:
Un gancho al corazón was released on DVD on October 5, 2010. [8] Danna García and Sebastián Rulli star in the lead roles, while Laisha Wilkins, Roberto Blandón, Agustín Arana and Macaria starred as antagonists. Raúl Araiza, Margarita Magaña and Ana Martin starred as stellar performances.
A complete listing and criticism of all English translations of at least one of the three cantiche (parts) was made by Cunningham in 1966. [12] The table below summarises Cunningham's data with additions between 1966 and the present, many of which are taken from the Dante Society of America's yearly North American bibliography [13] and Società Dantesca Italiana [] 's international ...
Purgatory (Spanish: Purgatorio) is a 2014 Spanish horror thriller film directed by Pau Teixidor in his feature debut which stars Oona Chaplin alongside Sergi Méndez, Andrés Gertrúdix, and Ana Fernández.
Tractatus de Purgatorio Sancti Patricii (Treatise on Saint Patrick's Purgatory) is a Latin text written about 1180–1184 by a monk who identified himself as H. of Saltrey. The author is traditionally known as Henry, though this was an insertion and invention of Matthew of Paris and has been contested in the influential work of historian ...
Purgatorio (Italian: [purɡaˈtɔːrjo]; Italian for "Purgatory") is the second part of Dante's Divine Comedy, following the Inferno and preceding the Paradiso. The poem was written in the early 14th century.
Le Goff dedicates the final chapter of his book to the Purgatorio, the second canticle of the Divine Comedy, a poem by fourteenth-century Italian author Dante Alighieri. In an interview Le Goff declared: "Dante's Purgatorio represents the sublime conclusion of the slow development of Purgatory that took place in the course of the Middle Ages ...
the fire imprint left by a finger of Sister Maria di San Luigi Gonzaga, which appeared to Sister Maria del Sacro Cuore in 1894; the imprint on a book of Marguerite Demmerlé, in the Parish of Ellinghen, left by her mother-in-law in 1815, 30 years after her death.