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The third season of the German talent show Das Supertalent began on Friday, October 16, 2009. The later episodes were then broadcast every Saturday from October 17, 2009 to December 19, 2009.
The Return of the Mail-Order Bridegroom is a covers album by Australian guitarist and songwriter Ed Kuepper released in 2014. Recorded in three days and featuring Kuepper alone with no overdubbing, it contains reworked acoustic versions of songs by his former bands The Saints and Laughing Clowns, as well as new versions of his solo material and songs popularised by artists including Jimi ...
The AllMusic review by Ned Raggett awarded the album 4 stars and states "Today Wonder in many ways was the release that helped determine part (if not all) of Ed Kuepper's future work. Specifically, it's the way around close, quiet, but still tense and strong performances...
Australian singer, songwriter and guitarist Ed Kuepper co-founded and recorded with the punk band The Saints, the experimental post-punk group Laughing Clowns and the grunge-like The Aints. He has also released 18 solo albums as well as another 14 limited-release albums of live and broadcast performances.
Laughing Clowns were formed in April 1979 in Sydney as a rock, soul, avant-jazz group by Bob Farrell on saxophone, Ed Kuepper on lead guitar and lead vocals (ex-Kid Galahad and the Eternals, The Saints), Ben Wallace-Crabbe on bass guitar, and Jeffrey Wegener on drums (ex-The Saints, Last Words, Young Charlatans).
Hans-Jürgen Appelrath [1] (7 February 1952 – 5 August 2016) was a professor of computer science and information technology (IT) at the University of Oldenburg from 1987. [ 2 ] Early career
The album reunited Kuepper with members of the Laughing Clowns and featured pianist Chris Abrahams of The Necks. Described as Kuepper's most accessible album to date, the first single, "Also Sprach the King of Eurodisco", received strong airplay on national broadcaster Triple J and some on commercial radio.
Frontierland was nominated for an ARIA for the Best Independent Release at the ARIA Music Awards of 1997. [3]The Allmusic review by Jack Rabid awarded the album 4 stars and states "here we find Kuepper more successfully tackling mood rock... a non-compromising, neo-ambient, warm soundtrack-like post-punk album".