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Revelation 15 is the fifteenth chapter of the Book of Revelation or the Apocalypse of John in the New Testament of the Christian Bible. The book is traditionally attributed to John the Apostle , [ 1 ] [ 2 ] but the precise identity of the author remains a point of academic debate. [ 3 ]
The Song of the Sea (Hebrew: שירת הים, Shirat HaYam; also known as Az Yashir Moshe and Song of Moses, or Mi Chamocha) is a poem that appears in the Book of Exodus of the Hebrew Bible, at Exodus 15:1–18. It is followed in verses 20 and 21 by a much shorter song sung by Miriam and the other women.
The Exodus continues: KJV: "So Moses brought Israel from the Red sea, and they went out into the wilderness of Shur; and they went three days in the wilderness, and found no water." other translations: Exodus 15:22; NJPS: "Then Moses caused Israel to set out from the Sea of Reeds.
It is referred to in Exodus 15:27 and Numbers 33:9 as a place where "there were twelve wells of water and seventy date palms," and that the Israelites "camped there near the waters". From the information that can be gleaned from Exodus 15:23, 16:1, and Numbers 33:9-11, Elim is described as being between Mara and the Wilderness of Sin near the ...
Marah - bitterness - a fountain at the sixth station of the Israelites (Ex. 15:23, 24; Num. 33:8) whose waters were so bitter that they could not drink them. On this account they murmured against Moses, who, under divine direction, cast into the fountain "a certain tree" which took away its bitterness, so that the people drank of it.
After the Passage of the Red Sea, Moses and the people of Israel rejoice: "The L ORD... has become my salvation; ... Pharaoh's chariots and his army He cast into the Red Sea ... Pharaoh's chariots and his army He cast into the Red Sea ...
However, one passage [35] in the extant version of the Mekhilta, Mishpatim may know of it in the following reference: "R. Josiah showed a Mekhilta from which he cited and explained a sentence." The text quoted by R. Josiah can be found. [ 36 ]
Stephen's vision of God's glory has a continuity with his speech on Abraham (7:2) and Moses (cf. Exodus 33:18—23), but now extends to the open heaven (verse 56) with the figure of Jesus himself positioned 'at the right hand of God' denoting the highest place of honor and confirming Stephen's claim that the rejected savior is in fact God's ...
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