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The artwork consists of four oil paintings on canvas created by national artist Carlos V. Francisco in 1953 for the entrance of the Philippine General Hospital. This quadriptych depicts the history of medicine in the Philippines until the middle of the 20th century.
Arturo Rogerio Dimayuga Luz (November 26, 1926 – May 26, 2021 [1]) was a Filipino visual artist. He was also a known printmaker, sculptor, designer and art administrator. A founding member of the modern Neo-realist school in Philippine art, he received the Philippine National Artist Award, the country's highest accolade in the arts, in 1997. [2]
Filipino make-up artists (2 P) Mindanao artists (4 P) N. National Artists of the Philippines (1 C, 84 P) ... Carlos Celdran; Jhoneil Centeno; Roberto Chabet ...
Artists who have helped build a Filipino sense of nationhood through the content and form of their works; Artists who have distinguished themselves by pioneering in a mode of creative expression or style, making an impact on succeeding generations of artists; Artists who have created a significant body of works and/or have consistently ...
Notable 19th-century oil paintings include Basi Revolt paintings, Sacred Art of the Parish Church of Santiago Apostol (1852), Spoliarium (1884), La Bulaqueña (1895), and The Parisian Life (1892). [230] A notable modern painting s The Progress of Medicine in the Philippines (1953). [230] After World War II, paintings were influenced by the ...
Onib Olmedo (July 7, 1937 – September 8, 1996) was a Filipino painter acclaimed by critics as one of the major Filipino artists of the 20th century. Olmedo created a body of works that utilizes the expressionist technique of distortion to portray the inner torment experienced by modern man.
The Filipino American artist influenced countless students as a teacher at SFAI. A retrospective offers a beguiling peek at his underappreciated work. A show devoted to Filipino pioneer Carlos ...
Vicente Silva Manansala (January 22, 1910 – August 22, 1981) was a Filipino cubist painter and illustrator. One of the first Abstractionists on the Philippine art scene, Manansala is also credited with bridging the gap between the city and the suburbs, between the rural and cosmopolitan ways of life.