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Traditional Chinese visual design elements: their applicability in contemporary Chinese design (Master of Science in Design thesis). Arizona State University. Welch, Patricia Bjaaland (2012). Chinese art : a guide to motifs and visual imagery. Boston, US: Tuttle Publishing. ISBN 978-1-4629-0689-5. OCLC 893707208.
Auspicious symbols and motifs continue to be used in present-day China in industries, such as home textiles and clothing; they are also used in modern design packaging and interior design. [5] Some of these Chinese auspicious ornaments were also adopted by European countries during the era of Chinoiserie, where they became decorative patterns ...
A china fairing is a small porcelain ornament, often incorporating figures, ranging from about three inches (7.5 cm) to about five inches (12.5 cm) in height, and depicting a variety of scenes, humorous, political or domestic. The ornament almost always incorporates a base and many fairings have a caption describing the scene or making some ...
The Golden Sun Bird motif is used as a logo to represent China's cultural heritage. In 2011, the city of Chengdu selected the Golden Sun Bird as the design for its logo. [3] The pattern is featured on the coat of arms of Joseph Tang Yuange, Roman Catholic Bishop of Chengdu since 2016, as well as on the coat of arms of the Diocese of Chengdu.
When the Twelve ornaments were used in different amounts, it could denote different social ranks; for example, in 59 AD during the Eastern Han dynasty, [6] it was specified that the 12 ornaments concerning the sun, the moon and the star had to be used for the emperors while 9 ornaments concerning mountains and dragons should be used by the 3 ...
Silver was another common materials in the making of Chinese ornaments and ritual items since ancient times; it also holds an irreplaceable place in Chinese culture and plays a significant role in being a carrier of Chinese traditional culture and in preserving ancient Chinese cultural heritage.
Chinese flask decorated with a dragon, clouds and some waves, an example of Jingdezhen porcelain In a 1941 essay, [ 1 ] the architectural historian Sir John Summerson called it "surface modulation". The earliest decoration and ornament often survives from prehistoric cultures in simple markings on pottery, where decoration in other materials ...
For example, the Hall of Supreme Harmony features the most roof ornaments of the palaces within the Forbidden City, and therefore is the most important of the three. In addition to the Hall of Supreme Harmony, wenshou are featured in smaller numbers on the Hall of Central Harmony and the Hall of Preserving Harmony at the Forbidden City.