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In the 18th century, Italian opera continued to dominate most of Europe (except France), attracting foreign composers such as George Frideric Handel. Opera seria was the most prestigious form of Italian opera, until Christoph Willibald Gluck reacted against its artificiality with
Interior of La Fenice opera house in Venice in 1837. Venice was, along with Florence and Rome, one of the cradles of Italian opera. Italian opera is both the art of opera in Italy and opera in the Italian language. Opera was in Italy around the year 1600 and Italian opera has continued to play a dominant role in the history of the form until ...
The Italian word opera means "work", both in the sense of the labor done and the result produced. The Italian word in turn derives from the Latin opera.Opera is also the Latin plural of opus, with the same root, but the word opera was a singular Latin noun in its own right, and according to Lewis and Short, in Latin "opus is used mostly of the mechanical activity of work, as that of animals ...
This is a glossary list of opera genres, giving alternative names. "Opera" is an Italian word (short for "opera in musica"); it was not at first commonly used in Italy (or in other countries) to refer to the genre of particular works. Most composers used more precise designations to present their work to the public.
Just as Italian opera tended to have three long acts, French opera had five short ones, with ballets interspersed. [99] The most prominent operatist of this period was Jean-Philippe Rameau. He held several jobs as organist and chapel master in various French cathedrals, while writing various treatises on music theory.
Giacomo Puccini, one of the composers most closely associated with verismo. Cavelleria Rusticana, considered the first Verismo opera Pagliacci is a famous Verismo opera. In opera, verismo (Italian for 'realism'), from vero, meaning 'true', was a post-Romantic operatic tradition associated with Italian composers such as Pietro Mascagni, Ruggero Leoncavallo, Umberto Giordano, Francesco Cilea and ...
Rules relating to the ranking of singers in opera (primo, secondo, comprimario) in 19th-century Italian opera, and the number of scenes, arias, etc. that they were entitled to expect. [2] The convenienze are referred to in the Donizetti opera Le convenienze ed inconvenienze teatrali. Coro: choir: Ensemble of singers Diva: divine one (fem.)
Opera seria (Italian pronunciation: [ˈɔːpera ˈsɛːrja]; plural: opere serie; usually called dramma per musica or melodramma serio) is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to about 1770.