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The Ulster coat, a working daytime overcoat initially with a cape top covering sleeves, but then without; it evolved to the polo coat after losing its cape. The Inverness coat, a formal evening or working day overcoat, with winged sleeves. The Paletot coat, a coat shaped with side-bodies, as a slightly less formal alternative to the frock overcoat.
Jang-ot (장옷/長衣) – a representative overcoat form women in early Joseon; [6] it later became a form of headdress. Jangsam (장삼/長衫) [ 6 ] Jikryunpo (直領袍) – a robe with a straight neckline.
The Chesterfield coat, with its heavy waist suppression using a waist seam, gradually replaced the over-frock coat during the second half of the 19th century as a choice for a formal overcoat, and survived as a coat of choice over the progression from frock coat everyday wear to the introduction of the lounge suit, but remained principally associated with formal morning dress and white tie.
Zara. Taking note from Miss Lopez, this '70s-feeling oversized V-neck coat with an exaggerated lapel collar and long, thick sleeves will pair exceptionally well with a pair of wide leg or baggy jeans.
In the first decades of the 20th century, it was replaced by sack overcoats like the Chesterfield coat, the guard's coat, and the Ulster coat and the Inverness coats and such, mirroring the change from frock coats to modern suit jackets. The expensive over-frock became impractical in comparison.
In 1981, French designer Anne-Marie Beretta created the model 101801 coat, a camel-coloured wool and cashmere overcoat that became an iconic symbol of Max Mara. Inspired by the men's Ulster coat, the most noticeable feature of this model is the "puntino," a stitching detail derived from men's tailored suits. [7]
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