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A clockwork or motorized mechanism rotates the camera continuously and pulls the film through the camera, so the motion of the film matches that of the image movement across the image plane. Exposure is made through a narrow slit. The central part of the image field produces a very sharp picture that is consistent across the frame. [citation ...
Two frames of a vertical filmstrip take up roughly the same amount of space as a single frame on the horizontal. Including its guard band, a vertical filmstrip could contain up to 64 images, while a horizontal oriented strip usually contained 32 images. This is based on the equivalent of a 25 exposure length of 35mm still camera film.
The Master (2012) – The projected frame on 70mm release prints (and all digital prints) were "hard matted" to 1.85:1, clipping the sides and throwing away 16.3% of the full frame exposed on the 2.20:1 aspect ratio 65 mm negative. About 85% of the film was photographed in Panavision System 65; the rest was shot in spherical 35 mm with a 1.85:1 ...
Logotype of the VistaVision format. A VistaVision 35 mm horizontal camera film frame (the dotted area shows the area actually used). VistaVision is a higher resolution, widescreen variant of the 35 mm motion picture film format that was created by engineers at Paramount Pictures in 1954.
First known film is the first film (not including tests) made with the format and intended for release. Negative gauge is the film gauge (width) used for the original camera negative. Negative aspect ratio is the image ratio determined by the ratio of the gate dimensions multiplied by the anamorphic power of the camera lenses (1× in the case ...
Cameras used 35mm film running horizontally with an 8-perforation frame, double the normal size, exactly the same as VistaVision. VistaVision cameras were sometimes adapted for Technirama. Technirama used 1.5:1 anamorphic curved mirror optics in front of the camera lens (unlike CinemaScope's cylindrical lenses which squeezed the image in a 2:1 ...
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