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  2. List of percussion instruments - Wikipedia

    en.wikipedia.org/wiki/List_of_percussion_instruments

    Instruments commonly used as unpitched and/or untuned percussion. Instruments commonly part of the percussion section of a band or orchestra. These three groups overlap heavily, but inclusion in any one is sufficient for an instrument to be included in this list. However, when only a specific subtype of the instrument qualifies as a percussion ...

  3. Castanets - Wikipedia

    en.wikipedia.org/wiki/Castanets

    Castanets, also known as clackers or palillos, are a percussion instrument , used in Spanish, Calé, Moorish, [1] Ottoman, Italian, Mexican, Sephardic, Portuguese, Brazilian and Swiss music. In ancient Greece and ancient Rome there was a similar instrument called the crotalum.

  4. Hand percussion - Wikipedia

    en.wikipedia.org/wiki/Hand_percussion

    Hand percussion is a percussion instrument that is held in the hand. [1] They can be made from wood, metal or plastic, bottles stops and are usually shaken, scraped, or tapped with fingers or a stick. It includes all instruments that are not drums, or any instrument that is a pitched percussion instrument, such as the marimba or the xylophone.

  5. List of musical instruments - Wikipedia

    en.wikipedia.org/wiki/List_of_musical_instruments

    This is a list of musical instruments, including percussion, wind, stringed, and electronic instruments. Percussion instruments (idiophones and membranophones)

  6. Hand drum - Wikipedia

    en.wikipedia.org/wiki/Hand_drum

    The pandero or plenera, is a percussion instrument included in the group of frame drums. A set of these hand drums from Puerto Rico is usually performed in plena music. There are three sizes, primo or requinto (for playing solos), segundo or seguidor, and tercero or tumbador (for playing a fixed rhythm).

  7. Cajón - Wikipedia

    en.wikipedia.org/wiki/Cajón

    The instrument reached a peak in popularity by 1850, and by the end of the 19th century cajón players were experimenting with the design of the instrument by bending some of the planks in the cajón's body to alter the instrument's patterns of sound vibration. [2] After slavery the cajón was spread to a much larger audience including Criollos.

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