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The ruin symbolism in "Nativity" and "Adoration of the Magi" paintings first emerged in Early Netherlandish art around the mid-fifteenth century, in a distinct Romanesque style. [30] Early Netherlandish painters began to associate this style with the architecture of the Holy Land , in contrast to the vague Orientalism of earlier depictions.
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Baroque Trinity, Hendrick van Balen, 1620, (Sint-Jacobskerk, Antwerp) Holy Trinity, fresco by Luca Rossetti da Orta, 1738–39 (St. Gaudenzio Church at Ivrea). The Trinity is most commonly seen in Christian art with the Holy Spirit represented by a dove, as specified in the gospel accounts of the baptism of Christ; he is nearly always shown with wings outspread.
Most Christian groups use or have used art to some extent, including early Christian art and architecture and Christian media. Images of Jesus and narrative scenes from the Life of Christ are the most common subjects, and scenes from the Old Testament play a part in the art of most denominations.
The Holy Spirit is often depicted as a dove, based on the account of the Holy Spirit descending like a dove on Jesus at his baptism. [5] In many paintings of the Annunciation , the Holy Spirit is shown in the form of a dove, coming down towards Mary on beams of light, as the Archangel Gabriel announces Christ 's coming to Mary .
Similarly, Byzantine art favored a flattened, hieratic style of perspective that emphasized the spiritual significance of the figures depicted. Raphael employs this type of perspective to great effect. The figures in the lower half of the painting are arranged in a static, frontal manner that conveys their solemnity and importance. Meanwhile ...
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